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  <h1>Double Falshood; or, The Distrest Lovers: XHTML edition</h1>
  
  <p><a href="./Double%20Falshood.txt">Plain-text edition</a> and 
  <a href="./Double%20Falshood.tei.xml">TEI edition</a> also
  available. Print edition in preparation. <a href="#contents-head">Jump to contents</a></p>

  <div id="information">

    <h2>Information</h2>

    <dl>
      <dt>Author</dt>
      <dd>Lewis Theobald 1688-1744</dd>
      <dt>Transcribed by</dt>
      <dd>John W. Kennedy</dd>
      <dt>Date</dt>
      <dd>Version 1.21, December 7, 2004</dd>
      <dt>Publisher</dt>
      <dd>John W. Kennedy<br/>
          30 Minton Avenue<br/>
          Chatham, NJ 07928-2740<br/>
          USA<br/>
          <a href="mailto:jwkenne@attglobal.net">&lt;jwkenne@attglobal.net&gt;</a></dd>
      <dt>Availability </dt>
      <dd>Free</dd>
    </dl>

    <p>This digitised text is copyright &copy; 2002-2004 by John W.
    Kennedy. No payment is required for individual or classroom use. If
    someone were ever to use this as the basis of a commercial printing,
    I'd appreciate a little cash thrown my way; I could use it. If someone
    were ever to use it as a performance text, I'd appreciate the credit.
    This file may be redistributed, provided that it is kept intact.
    However, it is still a work-in-progress, so I don't recommend it.</p>

  </div>

  <div id="source">

    <h3>Source</h3>

    <p>Transcription from the 2<sup>nd</sup> London edition of 1728, with
    notes on all variants in the 1<sup>st</sup> London edition of 1728 and
    major variants in the 3<sup>rd</sup> London edition of 1767.</p>

    <div id="texts-collated">

      <h4>Texts collated</h4>

      <ul class="outer">
        <li>1<sup>st</sup> London edition, 1728
          <ul>
            <li>1<sup>st</sup> state
              <ul>
                <li>The Library of English Literature ultrafiche 40047, copy LEL 40047 in the Drew University Library,<br/>
                    (original source unknown)</li>
                <li>The 1970 Muir facsimile, copy 3600.001.308 in the Princeton University Library,<br/>
                    based on copy S359.1728 in the Birmingham Reference Library</li>
                <li>Princeton University Library copy Rare Books (Ex) 3600.001.308 c 1</li>
              </ul>
            </li>
            <li>2<sup>nd</sup> state
              <ul>
                <li>Princeton University Library copy Rare Books (Ex) 3600.001.308 c 2</li>
              </ul>
            </li>
          </ul>
        </li>
        <li>1<sup>st</sup> Dublin edition, 1728 &mdash; not yet collated</li>
        <li>2<sup>nd</sup> London edition, 1728
          <ul>
            <li>Yale University Beinecke Rare Books and Manuscripts Library copy Plays 104</li>
          </ul>
        </li>
        <li>3<sup>rd</sup> London edition, 1767
          <ul>
            <li>New York Public Library copy C-14 2410 (when found, incorrectly cataloged as 2<sup>nd</sup> Edition)</li>
          </ul>
        </li>
        <li>Western Reserve University edition, 1920 (ed. Walter Graham) &mdash; not yet collated</li>
      </ul>

    </div>

    <div id="additional-texts-examined">

      <h4>Additional texts examined</h4>

      <ul class="outer">
        <li>1<sup>st</sup> London edition, 1728
          <ul>
            <li>1<sup>st</sup>state
              <ul>
                <li>Yale University Beinecke Rare Books and Manuscripts Libary copy Plays 88</li>
              </ul>
            </li>
            <li>2<sup>nd</sup> state
              <ul>
                <li>Yale University Beinecke Rare Books and Manuscripts Libary copy Plays 589</li>
                <li>Yale University Beinecke Rare Books and Manuscripts Libary copy Ik D744 728</li>
              </ul>
            </li>
            <li>hybrid state (gatherings A-D first state, gathering E second state)
              <ul>
                <li>Yale University Beinecke Rare Books and Manuscripts Libary copy Plays 529</li>
              </ul>
            </li>
          </ul>
        </li>
        <li>3<sup>rd</sup> London edition, 1767
          <ul>
            <li>New York Public Library copy *NDA (Double Falshood)</li>
          </ul>
        </li>
      </ul>

    </div>

  </div>

  <div id="encoding">

    <h3>Encoding</h3>

    <div id="project">

      <h4>Project</h4>

      <p>There was no publicly available digitisation of this important and
      controversial text, so I decided that, if a proper scholar wasn't going
      to do it, I would.</p>

    </div>
    
    <div id="correction">

      <h4>Correction</h4>

      <p>Verbal correction is conservative, limited to obvious typographic
      errors. Line divisions in verse are corrected somewhat more freely.
      Punctuation is left alone, except for unmistakable errors. Needful
      additions are made to the <i>Dramatis Personae.</i> All corrections are
      labelled. Since Doctor Graham intended his text to be diplomatic, I
      regard all his discrepancies as errors.</p>

    </div>
    
    <div id="normalization">

      <h4>Normalization</h4>

      <p>Long <q>s</q> and ligatures are silently normalised. The long
      lines that in the printed text lead continued lines of verse are
      silently converted to &amp;nbsp's (but editorial changes to them are
      noted). Other such lines are silently transcribed as m dashes. Spelling
      is left as-is. Spacing within lines, and around punctuation in
      particular, has been silently normalized; I do not have the training to
      do otherwise. Ornaments other than rules are omitted, but
      described.</p>

    </div>

    <div id="hyphenization">

      <h4>Hyphenation</h4>

      <p>Hard hyphens are retained; soft hyphens are suppressed except in
      right-aligned paragraphs.</p>

    </div>
    
    <div id="segmentation">

      <h4>Segmentation</h4>

      <p>Text has been analysed into speeches and lines of verse only.</p>

    </div>
    
    <div id="interpretation">

      <h4>Interpretation</h4>

      <p>Few efforts at interpretation has been made. Latin tags in the front
      matter are translated, one important issue in the Preface is remarked
      on, and a few interpretive problems are pointed out.</p>

    </div>
    
  </div>
  
</div>

<hr class="pagebreak"/>

<div class="contents">
  <h2 id="contents-head">Contents</h2>
  <ul>
    <li><a href="#half-title-head">Front matter</a><ul>
      <li><a href="#half-title-head">Half-title</a></li>
      <li><a href="#copyright-head">Copyright</a></li>
      <li><a href="#title-head">Title</a></li>
      <li><a href="#dedication-head">Dedication</a></li>
      <li><a href="#preface-head">Preface of the Editor</a></li>
      <li><a href="#prologue-head">Prologue</a></li>
      <li><a href="#epilogue-head">Epilogue</a></li>
      <li><a href="#dramatis-personae-head"><i>Dramatis Personae</i></a></li></ul></li>
    <li><a href="#act-i-head">Act I</a><ul>
      <li><a href="#scene-i-i-head">Scene i</a>. A Royal Palace.</li>
      <li><a href="#scene-i-ii-head">Scene ii</a>. Prospect of a Village at a Distance.</li>
      <li><a href="#scene-i-iii-head">Scene iii</a>.</li></ul></li>
    <li><a href="#act-ii-head">Act II</a><ul>
      <li><a href="#scene-ii-i-head">Scene i</a>. The Prospect of a Village.</li>
      <li><a href="#scene-ii-ii-head">Scene ii</a>. An Apartment.</li>
      <li><a href="#scene-ii-iii-head">Scene iii</a>. Prospect of a Village, before <i>Don Bernard</i>'s House.</li>
      <li><a href="#scene-ii-iv-head">Scene iv</a>. Changes to another Prospect of <i>Don Bernard</i>'s House.</li></ul></li>
    <li><a href="#act-iii-head">Act III</a><ul>
      <li><a href="#scene-iii-i-head">Scene i</a>. The Prospect of a Village.</li>
      <li><a href="#scene-iii-ii-head">Scene ii</a>. <i>Don Bernard</i>'s House.</li>
      <li><a href="#scene-iii-iii-head">Scene iii</a>. Prospect of a Village at a Distance.</li></ul></li>
    <li><a href="#act-iv-head">Act IV</a><ul>
      <li><a href="#scene-iv-i-head">Scene i</a>. A Wide Plain, with a Prospect of Mountains at a Distance.</li>
      <li><a href="#scene-iv-ii-head">Scene ii</a>.</li></ul></li>
    <li><a href="#act-v-head">Act V</a><ul>
      <li><a href="#scene-v-i-head">Scene i</a>. The Prospect of the Mountains continued.</li>
      <li><a href="#scene-v-ii-head">Scene ii</a>. An Apartment in the Lodge.</li></ul></li>
  </ul>
</div>

<hr class="pagebreak"/>

<div xml:lang="en-GB" class="body">

  <div id="half-title">

    <h2 id="half-title-head"><span class="dummy">[Half-title]</span><span class="back"><a href="#contents-head">Back to Contents</a></span></h2>

    <hr class="rule"/>

    <h1 class="internal">Double Falshood;<br/>
    <span class="caps">or,</span><br/>
    <i>The</i> <span class="smallCaps">Distrest Lovers</span>.</h1>

    <hr class="rule"/>

    <p class="titling">[<i>Price</i> 1 <i>s. and</i> 6 <i>d.</i>]</p>

  </div>
  
  <hr class="pagebreak"/>

  <div id="copyright">
  
    <h2 id="copyright-head"><span class="dummy">[Copyright]</span><span class="back"><a href="#contents-head">Back to Contents</a></span></h2>

    <div class="figDesc">The royal arms, flanked by G and R</div>

    <h3 class="internal"><span class="italicCaps">George</span> R.</h3>

    <p class="prose-unindented"><span class="ornateDropCap6">G</span><span class="italicCaps">eorge</span>
    the Second, by the Grace of God, King of <i>Great-Britain, France</i>
    and <i>Ireland</i>;<a href="#fn1s" id="fn1a" class="fna">a</a>
    Defender of the faith, <i>etc.</i><a href="#fn2s" id="fn2a" class="fna">b</a>
    To all to whom these Presents shall come, Greeting. Whereas our Trusty,
    and Well-beloved <i> Lewis Theobald,</i> of our City of <i> London,</i>
    Gent. hath, by his Petition, humbly represented to Us, that He having,
    at a<a href="#fn3s" id="fn3a" class="fna">c</a>
    considerable Expence, Purchased the Manuscript Copy of an Original Play
    of <span class="smallCaps">William Shakespeare</span>,
    called, <cite>Double Falshood; or, the Distrest Lovers</cite>; and with
    great Labour and Pains, Revised, and Adapted the same to the Stage; has
    humbly besought Us, to grant him Our Royal Privilege, and Licence, for
    the sole Printing and Publishing thereof, for the Term of Fourteen
    Years: We, being willing to give all due Encouragement to this his
    Undertaking, are graciously pleased to condescend to his Request: and
    do therefore, by these Presents, so far as may be agreeable to the
    Statute in that Behalf made and provided, for Us, Our Heirs, and
    Successors, grant unto Him, the said <i>Lewis Theobald</i>, his
    Executors, Administrators, and Assigns, Our Royal Licence, for the sole
    Printing and Publishing the said Play, in such Size and Manner, as He
    and They shall think fit, for the Term of Fourteen Years, to be
    computed from the Date hereof; strictly forbidding all our Subjects
    within our Kingdoms and Dominions, to Reprint the same, either in the
    like, or in any other Size, or Manner whatsoever; or to Import, Buy,
    Vend, Utter or Distribute any Copies thereof, Reprinted beyond the
    Seas, during the aforesaid Term of Fourteen Years, without the Consent,
    or Approbation of the said <i> Lewis Theobald</i>, his Heirs,
    Executors, and Assigns, under his, or their Hands and Seals first had,
    and obtained; as they will answer the contrary at their Peril: &mdash;
    Whereof the Commissioners, and other Officers of our Customs, the
    Master, Warden, and Company of Stationers, are to take Notice, that the
    same may be entred in the Register of the said Company, and that due
    Obedience be rendred thereunto.<br/> Given at Our Court at St. <i>
    James</i>&rsquo;s, the Fifth Day of <i>December</i>, 1727; in the First Year
    of Our Reign.<br/> <i>By His Majesty&rsquo;s Command,</i><br/>
    <span class="smallCaps">Holles Newcastle</span>.</p>

  </div>
  
  <hr class="pagebreak"/>

  <div id="title">

    <h2 id="title-head"><span class="dummy">[Title page]</span><span class="back"><a href="#contents-head">Back to Contents</a></span></h2>

    <h1 class="internal">Double Falshood<br/>
    <span class="caps">or</span>,<br/>
    <i>The</i> <span class="smallCaps">Distrest Lovers</span>.</h1>

    <p class="titling">A<br/>
    <span class="caps">Play,</span><br/>
    As it is Acted at the<br/>
    <span class="caps">Theatre-Royal<br/>
    in<br/>
    <i>Drury-Lane.</i></span></p>

    <hr class="rule"/>

    <p class="titling">Written Originally by <span class="italicCaps">W. Shakespeare</span>;<br/>
    And now Revised and Adapted to the Stage<br/>
    By Mr. <span class="smallCaps">Theobald</span>, the Author of <i>Shakespeare Restor&rsquo;d</i>.</p>

    <hr class="rule"/>

    <p class="titling"><i xml:lang="la">Quod optanti Div&ucirc;m promittere nemo<br/>
    Auderet, volvenda Dies, en! attulit ultr&ograve;.</i><a href="#fn4s" id="fn4a" class="fna">1</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Virg.</p>

    <hr class="rule"/>

    <p class="titling"><i>The</i> <span class="caps">Second Edition</span></p>

    <hr class="rule"/>

    <p class="titling"><span class="italicCaps">London:</span><br/>
    Printed by J. <span class="smallCaps">Watts</span>, at the Printing-Office in<br/>
    <i>Wild-Court</i> near <i>Lincolns-Inn Fields.</i></p>

    <hr class="rule"/>

    <p class="titling">M DCC XXVIII</p>

  </div>

  <hr class="pagebreak"/>

  <div id="dedication">

    <h2 id="dedication-head"><span class="dummy">[Dedication]</span><span class="back"><a href="#contents-head">Back to Contents</a></span></h2>

    <div class="figDesc">Floral decoration with urn and herons</div>

    <p class="prose-unindented">To the Right <span class="smallCaps">Honourable</span> <i>George Dodington, <span class="roman">Esq;</span></i><br/>
    <span class="caps">Sir</span>,</p>

    <p class="prose-unindented"><span class="ornateDropCap5">N</span><span class="caps">othing</span>
    can more strongly second the Pleasure I feel, from the Universal
    Applause which crowns this <i>Orphan</i> Play, than this Other which I
    take in presuming to shelter it under Your Name. I bear so dear an
    Affection to the Writings and Memory of
    <span class="smallCaps">Shakespeare</span>, that, as it is my good Fortune to
    retrieve this Remnant of his Pen from Obscurity, so it is my greatest
    Ambition that this Piece should be received into the Protection of such
    a Patron: And, I hope, Future Times, when they mean to pay
    <i>Shakespeare</i> the best Compliment, will remember to say, Mr.
    <span class="smallCaps">Dodington</span> was that Friend to his <i>Remains</i>,
    which his own <span class="smallCaps">Southampton</span> was to his <i>living
    Merit.</i></p>

    <p class="prose">It is from the <i>fine Discernment</i> of our Patrons, that we can generally best
    promise Ourselves the good Opinion of the Publick. You are not only, <span class="smallCaps">Sir</span>,<a href="#fn5s" id="fn5a" class="fna">2</a>
    a distinguish&rsquo;d <i>Friend</i> of the <i>Muses</i>, but most intimately
    <i>allied</i> to them: And from hence it is I flatter Myself, that if
    You shall think fit to pronounce this Piece genuine, it will silence
    the Censures of those <i>Unbelievers</i>, who think it impossible a
    Manuscript of <i>Shakespeare</i> could so long have lain dormant; and
    who are blindly paying Me a greater Compliment than either They design,
    or I can merit, while they cannot but confess Themselves <i>
    pleased,</i> yet would fain insinuate that they are <i>imposed
    upon.</i> I should esteem it some Sort of <i>Virtue,</i> were I able to
    commit so <i>agreeable</i> a <i>Cheat.</i></p>

    <p class="prose">But pardon Me, Sir, for a Digression that
    perverts the very Rule of Dedications. I own, I have my Reasons for it.
    As, <span class="smallCaps">Sir</span>, your known Integrity, and Honour engages
    the warmest Wishes of all good Men for your Prosperity, so your known
    Distinction in polite Letters, and your generous Encouragement of Those
    who pretend to them, obliges us to consider your Advancement, as our
    own personal Interest, and as a good Omen, at least, if not as the
    surest Means of the future flourishing Condition of those <i>Humane</i>
    Arts amongst us, which We <i>profess</i>, and which You <i>adorn.</i>
    But neither Your Modesty, nor my Inability,<a href="#fn6s" id="fn6a" class="fna">3</a>
    will suffer me to enter upon that Subject. Permit me therefore, <span class="caps">Sir,</span> to
    convert <i>Panegyrick</i> into a most ardent Wish, that You would look
    with a Tender Eye on this <i>dear Relick,</i> and that you would
    believe me, with the most unfeigned Zeal and Respect,</p>

    <p class="prose-unindented"><span class="italicCaps">Sir,</span><br/>
    <i>Your most Devoted and Obedient Humble Servant,<br/>
    Great Russell-street</i><br/>
    21st December,<br/>
    1727.<br/>
    <span class="smallCaps">Lew.Theobald</span></p>

  </div>
  
  <hr class="pagebreak"/>

  <div id="preface">
  
    <h2 id="preface-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h2>

    <div class="figDesc">Floral ornament with peacocks</div>

    <h2 class="internal"><span class="caps">Preface<br/>
    of the<br/>
    Editor</span></h2>

    <p class="prose-unindented"><span class="ornateDropCap6">T</span><span class="caps">he</span>
    Success, which this Play has met with from the Town in the
    Representation, (to say nothing of the Reception it found from those
    Great Judges, to whom I have had the Honour of communicating it in
    Manuscript;) has almost made the Purpose of a Preface unnecessary:
    And therefore what I have to say, is design&rsquo;d rather to wipe out a
    flying Objection or<a href="#fn7s" id="fn7a" class="fna">4</a>
    two, than to labour at proving it the Production of <i>
    Shakespeare</i>.<a href="#fn8s" id="fn8a" class="fna">5</a></p>

    <p class="prose">It has been alledg&rsquo;d as incredible, that such
    a Curiosity should be stifled and lost to the World for above a
    Century. To This my Answer is short; that tho&rsquo; it never till now made
    its Appearance on the Stage, yet one of the Manuscript Copies, which I
    have, is of above Sixty Years Standing, in the Handwriting of Mr. <i>
    Downes</i>, the famous Old Prompter; and, as I am credibly inform&rsquo;d,
    was early in the Possession of the celebrated Mr. <i>Betterton</i>, and
    by Him design&rsquo;d to have been usher&rsquo;d into the World. What Accident
    prevented This Purpose of his, I do not pretend to know: Or thro&rsquo; what
    hands it had successively pass&rsquo;d before that Period of Time. There is a
    Tradition (which I have from the Noble Person, who supply&rsquo;d me with One
    of my Copies) that this Play<a href="#fn9s" id="fn9a" class="fna">6</a>
    was given by our Author, as a Present of Value, to a Natural Daughter
    of his, for whose Sake he wrote it, in the Time of his Retirement from
    the Stage. Two other Copies I have, (one of which I was glad to
    purchase at a very good Rate,) which may not, perhaps, be quite so Old
    as the Former; but One of Them is much more perfect, and has fewer
    Flaws and Interruptions in the Sense.</p>

    <p class="prose">Another Objection has been started, (which
    would carry much more Weight with it, were it Fact;) that the Tale of
    this Play, being built upon a Novel in <cite>Don Quixot</cite>,
    Chronology is against Us, and <i>Shakespeare</i> could not be the
    Author. But it happens, that the <i>First</i> Part of <cite>Don
    Quixot</cite>, which contains the Novel upon which the Tale of this
    Play seems to be built, was publish&rsquo;d in the year 1605,<a href="#fn10s" id="fn10a" class="fna">7</a>
    and our <i>Shakespeare</i> did not dye till <i> April</i> 1616; an
    interval of no less than Eleven Years, and more than sufficient for All
    that we want granted.<a href="#fn11s" id="fn11a" class="fna">8</a></p>

    <p class="prose">Others again, to depreciate the Affair, as
    they thought, have been pleased to urge, that tho&rsquo; the Play may have
    some Resemblances of <i>Shakespeare</i>, yet the <i>Colouring</i>, 
    <i>Diction</i>,and <i>Characters</i>, come nearer to the Style and Manner
    of <span class="smallCaps">Fletcher</span>. This,I think, is far from deserving
    any Answer; I submit it to the Determination of better Judgments; tho&rsquo;
    my Partiality for <i>Shakespeare</i> makes me wish, that Every Thing
    which is good, or pleasing, in that other great poet,<a href="#fn12s" id="fn12a" class="fna">9</a>
    had been owing to <em>his<a href="#fn13s" id="fn13a" class="fna">10</a></em>
    Pen.<a href="#fn14s" id="fn14a" class="fna">11</a>
    I had once design&rsquo;d a <i>Dissertation</i> to prove this Play to be of
    <i>Shakespeare&rsquo;</i>s Writing, from some of its remarkable Peculiarities
    in the <i> Language</i>, and Nature of the <i>Thoughts</i>: but as
    I could not be sure that the Play might be attack&rsquo;d, I found it
    adviseable, upon second Consideration, to reserve <em>that</em> part to
    my <i> Defence</i>. That Danger, I think, is now over; so I must look
    out for a better Occasion. I am honour&rsquo;d with so many powerful
    Sollicitations, pressing Me to the Prosecution of an Attempt, which I
    have begun with some little Success, of <i>restoring</i> 
    <span class="smallCaps">Shakespeare</span> from the numerous Corruptions of his
    Text: that I can neither in Gratitude, nor good Manners, longer resist
    them. I therefore think it not amiss here to promise, that, tho&rsquo; 
    <i>private Property</i> should so far stand in my Way, as to prevent me
    from putting out an <i> Edition</i> of <i>Shakespeare</i>, yet, some
    Way or other, if I live, the Publick shall receive from my Hand his 
    <i>whole</i> <span class="smallCaps">Works</span> corrected, with my best Care and
    Ability. This may furnish an Occasion for speaking more at large
    concerning the present <i>Play</i>: For which Reason I shall now drop
    it for another Subject.<a href="#fn15s" id="fn15a" class="fna">12</a></p>

    <p class="prose">As to the Performance of the respective <i>
    Actors</i> concern&rsquo;d in this Play, my applauding It here would be
    altogether superfluous. The Publick has distinguish&rsquo;d and given them a
    Praise, much beyond Any that can flow from my Pen. But I have some
    particular Acknowledgments to make to the <i>Managers</i> of this
    Company, for which I am glad to embrace so fair an Opportunity.</p>

    <p class="prose">I came to Them at this Juncture as an <i>
    Editor</i>, not an <i>Author</i>, and have met with so much Candour,
    and handsome Treatment from Them, that I am willing to believe, the
    Complaint, which has so commonly obtain&rsquo;d, of their Disregard and ill
    Behaviour to Writers, has been more severely urg&rsquo;d, than it is justly
    grounded. They must certainly be too good Judges of their own Interest,
    not to know that a Theatre cannot always subsist on old Stock, but that
    the Town requires Novelty at their Hands. On the other Hand, they must
    be so far Judges of their own Art and Profession, as to know that all
    the Compositions, which are offer&rsquo;d them, would never go down with
    Audiences of so nice and delicate a Taste, as in this Age frequent the
    Theatres. It would be very hard upon such a Community, where so many
    Interests are concern&rsquo;d, and so much Merit in their Business allow&rsquo;d,
    if they had not a Priviledge of refusing some crude Pieces, too
    imperfect for the Entertainment of the Publick. I would not be thought
    to inferr, that they have never discourag&rsquo;d what They might, perhaps,
    afterwards wish they had receiv&rsquo;d. They do not, I believe, set up for
    such a Constant Infallibility. But if We do but fairly consider out of
    above Four Thousand Plays extant, how small a Number will now stand the
    Test;<a href="#fn16s" id="fn16a" class="fna">13</a>
    if We do but consider too, how often a raw Performance has been
    extoll&rsquo;d by the Partiality of private Friendship; and what a Clamour of
    Injury has been rais&rsquo;d from that Quarter, upon such Performance meeting
    a Repulse; we may pretty easily account for the Grounds upon which they
    proceeded in discountenancing some Plays, and the harsh Things that are
    thrown out upon their giving a Repulse to others.</p>

    <p class="prose">But I should beg Pardon for interfering in
    this Question, in which I am properly neither Party, nor Judge. I am
    only throwing out a private Opinion, without Interest or Prejudice, and
    if I am right in the Notion, <i>Valeat quantum valere potest.</i><a href="#fn17s" id="fn17a" class="fna">14</a></p>

    <div class="figDesc">Floral decoration with wheel</div>
    
  </div>
  
  <hr class="pagebreak"/>

  <div id="prologue">

    <h2 id="prologue-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h2>

    <div class="figDesc">Floral rule</div>

    <h2 class="internal"><span class="caps">Prologue</span></h2>

    <p class="titling">Written by <span class="italicCaps">Philip Frowde</span>, Esq;<br/>
    And spoken by Mr. <span class="smallCaps">Wilks</span>.<a href="#fn18s" id="fn18a" class="fna">15</a></p>

    <p class="verse-unindented-italic"><span class="italicDropCap2">A</span><span class="italicCaps">s</span> in some Region, where indulgent Skies<br/>
    Enrich the Soil, a thousand Plants arise<br/>
    Frequent and bold; a thousand Landskips meet<br/>
    Our ravisht View, irregularly sweet:<br/>
    We gaze, divided, now on These, now Those;<br/>
    While All one beauteous Wilderness compose.</p>

    <p class="verse-italic">Such <span class="r"><span class="smallCaps">Shakespeare&rsquo;</span></span>s Genius was: &mdash; Let <span class="r">Britons</span> boast<br/>
    The glorious Birth, and, eager, strive who most<br/>
    Shall celebrate his Verse; for while we raise<br/>
    Trophies of Fame to him, ourselves we praise:<br/>
    Display the Talents of a <span class="r">British</span> mind,<br/>
    Where All is great, free, open, unconfin&rsquo;d.<br/>
    Be it our Pride, to reach his daring Flight;<br/>
    And relish Beauties, he alone could write.</p>

    <p class="verse-italic">Most modern Authors, fearful to aspire,<br/>
    With Imitation cramp their genial Fire;<br/>
    The well-schemed Plan keep strict before their Eyes,<a href="#fn19s" id="fn19a" class="fna">16</a><br/>
    Dwell on Proportions, trifling Decencies;<br/>
    While noble Nature all neglected lies.<br/>
    Nature, that claims Precedency of Place,<br/>
    Perfection&rsquo;s Basis, and essential Grace!<br/>
    Nature so intimately <span class="r"><span class="smallCaps">Shakespeare</span></span> knew,<a href="#fn20s" id="fn20a" class="fna">17</a><br/>
    From her first Springs his Sentiments he drew;<br/>
    Most greatly wild they flow; and, when most wild, yet true.</p>

    <p class="verse-italic">While These, secure in what the Criticks teach,<br/>
    Of servile Laws still dread the dangerous Breach;<br/>
    His vast, unbounded, Soul disdain&rsquo;d their Rule,<br/>
    Above the Precepts of the Pedant School!</p>

    <p class="verse-italic">Oh! could the Bard, revisiting our Light,<br/>
    Receive these Honours done his Shade To-night,<br/>
    How would he bless the Scene this Age displays,<br/>
    Transcending his <span class="r">Eliza&rsquo;</span>s golden Days!<br/>
    When great <span class="r"><span class="smallCaps">Augustus</span></span> fills the <span class="r">British</span> Throne,<br/>
    And his lov&rsquo;d <span class="r">Consort</span> makes the Muse her own.<br/>
    How would he joy, to see fair Merit&rsquo;s Claim<br/>
    Thus answer&rsquo;d in his own reviving Fame!<br/>
    How cry with Pride &mdash; <q>Oblivion I forgive;</q><br/>
    <q class="old">This my last Child to latest Times shall live:</q><br/>
    <q class="old">Lost to the World, well for the Birth it stay&rsquo;d</q><br/>
    <q class="old">To this auspicious &AElig;ra well delay&rsquo;d.</q></p>

    <div class="figDesc">Floral ornament with lyre and trumpets</div>

  </div>
  
  <hr class="pagebreak"/>

  <div id="epilogue">

    <h2 id="epilogue-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h2>

    <div class="figDesc">Floral rule</div>

    <h2 class="internal"><span class="caps">Epilogue</span></h2>

    <p class="titling">Written by a Friend.<br/>
    Spoken by Mrs. <span class="italicCaps">Oldfield</span>.</p>

    <p class="verse-unindented-italic"><span class="italicDropCap2">W</span><span class="italicCaps">ell,</span> Heaven defend us from these ancient Plays,<br/>
    These Moral Bards of good Queen <span class="r">Bess</span>&rsquo;s Days!<br/>
    They write from Virtue&rsquo;s Laws, and think no further;<br/>
    But draw a Rape as dreadful as a Murther.<br/>
    You modern Wits, more deeply vers&rsquo;d in Nature,<a href="#fn21s" id="fn21a" class="fna">18</a><br/>
    Can tip the wink, to tell us, you know better;<br/>
    As who shou&rsquo;d say&mdash; <q class="old">&rsquo;Tis no such killing Matter.&mdash;</q><br/>
    <q class="old">We&rsquo;ve heard old Stories told, and yet ne&rsquo;er wonder&rsquo;d,</q><br/>
    <q class="old">Of many a Prude, that has endur&rsquo;d a Hundred:</q><br/>
    <q class="old">And <span class="r">Violante</span> grieves, or we&rsquo;re mistaken,</q><br/>
    <q class="old">Not, because ravisht; but because &mdash; forsaken.&mdash;</q></p>

    <p class="verse-italic">Had this been written to the modern Stage,<br/>
    Her Manners had been copy&rsquo;d from the Age.<br/>
    Then, tho&rsquo; she had been once a little wrong,<br/>
    She still had had the Grace to&rsquo;ve held her Tongue;<br/>
    And after all, with downcast Looks, been led<br/>
    Like any Virgin to the Bridal Bed.<br/>
    There, if the good Man question&rsquo;d her Mis-doing,<br/>
    She&rsquo;d stop him short&mdash; <q class="old">Pray, who made you so knowing?</q><br/>
    <q class="old">What, doubt my Virtue!&mdash; What&rsquo;s your base Intention?</q><br/>
    <q class="old">Sir, that&rsquo;s a Point above your Comprehension.&mdash;</q></p>

    <p class="verse-italic"><i>Well, Heav&rsquo;n be prais&rsquo;d, the Virtue of our Times<br/>
    Secures us from our <span class="r">Gothick</span> Grandsires&rsquo;<a href="#fn22s" id="fn22a" class="fna">19</a> Crimes.<br/>
    Rapes, Magick, new Opinions, which before<br/>
    Have fill&rsquo;d our Chronicles, are now no more:<br/>
    And this reforming Age may justly boast,<br/>
    That dreadful Sin <span class="r">Polygamy</span> is lost.<br/>
    So far from multiplying Wives, &rsquo;tis known<br/>
    Our Husbands find, they&rsquo;ve Work enough with one.&mdash;<br/>
    Then, as for Rapes, those dangerous days are past;<br/>
    Our Dapper Sparks are seldom in such haste.</i></p>

    <p class="verse-italic">In <span class="r"><span class="smallCaps">Shakespeare&rsquo;</span></span>s Age the <span class="r">English</span> Youth inspir&rsquo;d,<br/>
    Lov&rsquo;d, as they fought, by him and Beauty fir&rsquo;d.<br/>
    &rsquo;Tis yours to crown the Bard, whose Magick Strain<a href="#fn23s" id="fn23a" class="fna">20</a><br/>
    Cou&rsquo;d charm the Heroes of that glorious Reign,<br/>
    Which humbled to the Dust the Pride of <span class="r">Spain</span>.</p>

    <div class="figDesc">Floral ornament with birds</div>
    
  </div>
  
  <hr class="pagebreak"/>

  <div id="dramatis-personae">

    <h2 id="dramatis-personae-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h2>

    <h2 class="internal">Dramatis Personae.<a href="#fn24s" id="fn24a" class="fna">21</a></h2>

    <table class="castList">
      <tr>
	<th colspan="2"><span class="caps">Men.</span><a href="#fn25s" id="fn25a" class="fna">22</a></th>
      </tr>
      <tr>
	<td>Duke <i>Angelo</i>.</td>
	<td>Mr. <i>Corey</i>.</td>
      </tr>
      <tr>
	<td><i>Roderick</i>, his Elder Son.</td>
	<td>Mr. <i>Mills</i>.</td>
      </tr>
      <tr>
	<td><i>Henriquez</i>, his Younger Son.</td>
	<td>Mr. <i>Wilks</i>.</td>
      </tr>
      <tr>
	<td><i>Don Bernard</i>, Father to <i>Leonora</i>.</td>
	<td>Mr. <i>Harper</i>.</td>
      </tr>
      <tr>
	<td><i>Camillo</i>, Father to <i>Julio</i>.</td>
	<td>Mr. <i>Griffin</i>.</td>
      </tr>
      <tr>
	<td><i>Julio</i>, in Love with <i>Leonora</i>.</td>
	<td>Mr. <i>Booth</i>.</td>
      </tr>
      <tr>
	<td>Citizen.</td>
	<td>Mr. <i>Oates</i>.</td>
      </tr>
      <tr>
	<td>Master of the Flocks.</td>
	<td>Mr. Bridgewater.<a href="#fn26s" id="fn26a" class="fna">23</a></td>
      </tr>
      <tr>
	<td>First Shepherd.</td>
	<td>Mr. <i>Norris</i>.</td>
      </tr>
      <tr>
	<td>Second Shepherd.</td>
	<td>Mr. <i>Ray</i>.</td>
      </tr>
      <tr>
	<td>[A Churchman.]<a href="#fn27s" id="fn27a" class="fna">24</a></td>
      </tr>
      <tr>
	<td>[<i>Fabian</i>, a Clown.]<a href="#fn28s" id="fn28a" class="fna">25</a></td>
      </tr>
      <tr>
	<td>[<i>Lopez</i>, another.]<a href="#fn29s" id="fn29a" class="fna">26</a></td>
      </tr>
      <tr>
	<td>[<i>Gerald</i>, servant to <i>Henriquez</i>.]<a href="#fn30s" id="fn30a" class="fna">27</a></td>
      </tr>
      <tr>
	<td>[Servant<a href="#fn31s" id="fn31a" class="fna">28</a> to <i>Henriquez</i>.]<a href="#fn32s" id="fn32a" class="fna">29</a></td>
      </tr>
      <tr>
	<td>[Servant to <i>Violante</i>.]<a href="#fn33s" id="fn33a" class="fna">30</a></td>
      </tr>
      <tr>
	<td>A Gentleman.<a href="#fn34s" id="fn34a" class="fna">31,</a>&nbsp;<a href="#fn35s" id="fn35a" class="fna">32</a></td>
      </tr>
      <tr>
	<th colspan="2"><span class="caps">Women.</span></th>
      </tr>
      <tr>
	<td><i>Leonora</i>.</td>
	<td>Mrs. <i>Porter</i>.</td>
      </tr>
      <tr>
	<td><i>Violante</i>.</td>
	<td>Mrs. <i>Booth</i>.</td>
      </tr>
      <tr>
	<td>[Maid to <i>Leonora</i>.]<a href="#fn36s" id="fn36a" class="fna">33</a></td>
      </tr>
      <tr>
	<td>[Maid to <i>Violante</i>.]<a href="#fn37s" id="fn37a" class="fna">34</a></td>
      </tr>
      <tr>
	<td colspan="2">Gentlemen, Servants, Musicians, Attendants to <i>Leonora</i>, <i>etc.<a href="#fn38s" id="fn38a" class="fna">35</a></i></td>
      </tr>
    </table>

    <p class="center-direction"><span class="r"><span class="caps">Scene</span></span>,
    the Province of <span class="r">Andalusia</span> in
    <span class="r">Spain</span>.</p>
    
  </div>
  
  <hr class="pagebreak"/>

  <div id="act-i" class="act">

    <h2 id="act-i-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h2>

    <div class="figDesc">Floral ornament with putti</div>

    <h1 class="internal"><span class="caps">Double Falshood;<br/>
    or,</span><br/>
    <i>The</i> <span class="smallCaps">Distrest Lovers</span>.</h1>

    <hr class="rule"/>

    <h2 class="act"><span class="caps">Act I. Scene I.</span></h2>
    
    <div id="scene-i-i" class="scene">

      <h3 id="scene-i-i-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h3>

      <h3 class="scene"><span class="caps">Scene,</span> <i>A Royal Palace.</i></h3>

      <p class="center-direction">Duke <span class="r">Angelo</span>,
      <span class="r">Roderick</span>, and Courtiers.</p>

      <p class="center-prefix"><span class="smallCaps">Roderick</span>.</p>

      <p class="verse-unindented" id="act-i-drop"><span class="ornateDropCap8">M</span><span class="caps">y</span> gracious Father, this unwonted Strain<br/>
      Visits my heart with Sadness.</p>

      <p class="verse"><i>Duke.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Why,
my Son?<br/>
      Making my Death familiar to my Tongue<br/>
      Digs not my Grave one Jot before the Date.<br/>
      I&rsquo;ve worn the Garland of my Honours long,<br/>
      And would not leave it wither&rsquo;d to thy Brow,<br/>
      But flourishing and green; worthy the Man,<br/>
      Who, with my Dukedoms, heirs my better Glories.</p>

      <p class="verse"><i>Roder.</i> This Praise, which is my Pride, spreads me with Blushes.</p>

      <p class="verse"><i>Duke.</i> Think not, that I can flatter thee, my <i>Roderick</i>;<br/>
      Or let the Scale of Love o&rsquo;er-poize my Judgment.<br/>
      Like a fair Glass of Retrospection, Thou<br/>
      Reflect&rsquo;st the Virtues of my early Youth;<br/>
      Making my old Blood mend its Pace with Transport:<br/>
      While fond <i>Henriquez</i>, thy irregular Brother,<br/>
      Sets the large Credit of his Name at Stake,<br/>
      A Truant to my Wishes, and his Birth.<br/>
      His Taints of Wildness hurt our nicer Honour,<br/>
      And call for swift Reclaim.</p>
      <p class="verse"><i>Roder.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I
trust, my Brother<br/>
      Will, by the Vantage of his cooler Wisdom,<br/>
      E&rsquo;er-while<a href="#fn39s" id="fn39a" class="fna">36</a> redeem the hot Escapes of Youth,<br/>
      And court Opinion with a golden Conduct.</p>

      <p class="verse"><i>Duke.</i> Be Thou a Prophet in that kind Suggestion!<br/>
      But I, by Fears weighing his unweigh&rsquo;d Course,<br/>
      Interpret for the Future from the Past.<br/>
      And strange Misgivings, why he hath of late<br/>
      By Importunity, and strain&rsquo;d Petition,<br/>
      Wrested our Leave of Absence from the Court,<br/>
      Awake Suspicion. Thou art inward with him;<br/>
      And, haply, from the bosom&rsquo;d Trust can&rsquo;st shape<br/>
      Some formal Cause to qualify my Doubts.</p>

      <p class="verse"><i>Roder.</i> Why he hath press&rsquo;d this Absence, Sir, I know not;<br/>
      But have his Letters of a modern Date,<br/>
      Wherein by <i>Julio</i>, good <i>Camillo&rsquo;</i>s Son,<br/>
      (Who, as he says, shall follow hard upon;<br/>
      And whom I with the growing Hour expect:)<br/>
      He doth sollicit the Return of Gold<br/>
      To purchase certain Horse, that like him well.<br/>
      This <i>Julio</i> he encounter&rsquo;d first in <i>France</i>,<br/>
      And lovingly commends him to my Favour;<br/>
      Wishing, I would detain him some few Days,<br/>
      To know the Value of his well-placed Trust.</p>

      <p class="verse"><i>Duke.</i> O, do it, <i>Roderick</i>; and assay to mould him<a href="#fn40s" id="fn40a" class="fna">37</a><br/>
      An honest Spy upon thy Brother&rsquo;s Riots.<br/>
      Make us acquainted when the Youth arrives;<br/>
      We&rsquo;ll see this <i>Julio</i>, and he shall from Us<br/>
      Receive the secret Loan his Friend requires.<br/>
      Bring him to Court.</p>

      <p class="right-direction"><span class="r">[</span>Exeunt.</p>
      
    </div>
    
    <div id="scene-i-ii" class="scene">

      <h3 id="scene-i-ii-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h3>

      <h3 class="scene"><span class="caps">Scene II.</span> <i>Prospect of a Village at a Distance.</i></h3>

      <p class="center-direction">Enters <span class="r">Camillo</span> with a Letter.</p>

      <p class="prose"><i>Cam.</i> How comes the Duke to take such
      Notice of my Son, that he must needs have him in Court, and I must send
      him upon the View of his Letter? &mdash; Horsemanship! What
      Horsemanship has <i>Julio?</i> I think, he can no more but gallop a
      Hackney, unless he practised Riding in <i>France</i>. It may be, he did
      so; for he was there a good Continuance. But I have not heard him speak
      much of his Horsemanship. That&rsquo;s no Matter: if he be not a good
      Horseman, all&rsquo;s one in such a Case, he must bear. Princes are absolute;
      they may do what they will in any Thing, save what they cannot do.</p>

      <p class="center-direction">Enters <span class="r">Julio</span>.</p>

      <p class="prose-unindented">O, come on, Sir; read this Paper: no more Ado, but
      read it: It must not be answer&rsquo;d by my Hand, nor yours, but, in Gross,
      by your Person; your sole Person. Read aloud.</p>

      <p class="prose"><i>Jul.</i> &rsquo;Please you, to let me first o&rsquo;erlook it, Sir.</p>

      <p class="prose"><i>Cam.</i> I was this other day in a Spleen
      against your new Suits: I do now think, some Fate was the Taylour that
      hath fitted them: for, this Hour, they are for the Palace of the Duke.
      &mdash; Your Father&rsquo;s House is too dusty.</p>

      <p class="prose"><i>Jul.</i> Hem!&mdash; to Court? Which is
      the better, to serve a Mistress, or a Duke? I am sued to be his Slave,
      and I sue to be <i>Leonora&rsquo;</i>s.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i> Aside.</i></p>

      <p class="prose"><i>Cam.</i> You shall find your Horsemanship
      much praised there; Are you so good a Horseman?<a href="#fn41s" id="fn41a" class="fna">38</a></p>

      <p class="verse"><i>Jul.</i> I have been,<br/>
      E&rsquo;er now, commended for my Seat, or mock&rsquo;d.</p>

      <p class="prose"><i>Cam.</i> Take one Commendation with
      another, every Third&rsquo;s a Mock.&mdash; Affect not therefore to be
      praised. Here&rsquo;s a deal of Command and Entreaty mixt; there&rsquo;s no
      denying; you must go, peremptorily he inforces That.</p>

      <p class="prose"><i>Jul.</i> What Fortune soever my Going
      shall encounter, cannot be good Fortune; What I part withal unseasons
      any other Goodness.
      &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Aside.</i></p>

      <p class="prose"><i>Cam.</i> You must needs go; he rather
      conjures, than importunes.</p>

      <p class="prose"><i>Jul.</i> No moving of my Love-Suit to him
      now?&mdash;</p>

      <p class="right-direction"><span class="r">[</span>Aside.</p>

      <p class="prose"><i>Cam.</i> Great Fortunes have grown out of
      less Grounds.</p>

      <p class="prose"><i>Jul.</i> What may her Father think of me,
      who expects to be sollicited this very Night?
      &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Aside.</i></p>

      <p class="prose"><i>Cam.</i> Those scatter&rsquo;d Pieces of Virtue,
      which are in him, the Court will solder together, varnish, and
      rectify.</p>

      <p class="prose"><i>Jul.</i> He will surely think I deal too
      slightly, or unmannerly, or foolishly, indeed; nay, dishonestly; to
      bear him in hand with my Father&rsquo;s Consent, who yet hath not been
      touch&rsquo;d with so much as a Request to it.
      &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Aside.</i></p>

      <p class="prose"><i>Cam.</i> Well, Sir, have you read it
      over?</p>

      <p class="prose"><i>Jul.</i> Yes, Sir.</p>

      <p class="prose"><i>Cam.</i> And consider&rsquo;d it?</p>

      <p class="prose"><i>Jul.</i> As I can.</p>

      <p class="prose"><i>Cam.</i> If you are courted by good
      Fortune, you must go.</p>

      <p class="prose"><i>Jul.</i> So it please You, Sir.</p>

      <p class="prose"><i>Cam.</i> By any Means, and to morrow: Is
      it not there the Limit of his Request?</p>

      <p class="prose"><i>Jul.</i> It is, Sir.</p>

      <p class="prose"><i>Cam.</i> I must bethink me of some
      Necessaries, without which you might be unfurnish&rsquo;d: And my Supplies
      shall at all Convenience follow You. Come to my Closet by and by; I
      would there speak with You.</p>

      <p class="right-direction"><span class="r">[</span>Exit <span class="r">Camillo</span>.</p>

      <p class="center-direction">Manet <span class="r">Julio</span> solus.</p>

      <p class="verse"><i>Jul.</i> I do not see that Fervour in the Maid,<br/>
      Which Youth and Love should kindle. She consents,<br/>
      As &rsquo;twere to feed without an Appetite;<br/>
      Tells me, She is content; and plays the Coy one,<br/>
      Like Those that subtly make their Words their Ward,<br/>
      Keeping Address at Distance. This Affection<br/>
      Is such a feign&rsquo;d One, as will break untouch&rsquo;d;<br/>
      Dye frosty, e&rsquo;er it can be thaw&rsquo;d; while mine,<br/>
      Like to a Clime beneath <i>Hyperion&rsquo;</i>s Eye,<br/>
      Burns with one constant Heat. I&rsquo;ll strait go to her;<br/>
      Pray her to regard my Honour: but She greets me.&mdash;</p>

      <p class="center-direction">Enter <span class="r">Leonora</span>,
      and Maid.</p>

      <p class="verse-unindented">See, how her Beauty doth inrich the Place!<br/>
      O, add the Musick of thy charming Tongue,<br/>
      Sweet as the Lark that wakens up the Morn,<br/>
      And make me think it Paradise indeed.<br/>
      I was about to seek thee, <i>Leonora</i>,<br/>
      And chide thy Coldness, Love.</p>

      <p class="verse"><i>Leon.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;What
says your Father?</p>

      <p class="verse"><i>Jul.</i> I have not mov&rsquo;d him yet.</p>

      <p class="verse"><i>Leon.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Then
do not, <i>Julio</i>.</p>

      <p class="verse"><i>Jul.</i> Not move him? Was it not your own Command,<br/>
      That his Consent should ratify our Loves?</p>

      <p class="verse"><i>Leon.</i> Perhaps, it was: but now I&rsquo;ve chang&rsquo;d my Mind.<br/>
      You purchase at too dear a Rate, that puts You<br/>
      To wooe me and your Father too: Besides,<br/>
      As He, perchance, may say, you shall not have me;<br/>
      You, who are so obedient, must discharge me<br/>
      Out of your Fancy<i>:</i> <a href="#fn42s" id="fn42a" class="fna">40</a> Then, you know, &rsquo;twill prove<br/>
      My Shame and Sorrow, meeting such Repulse,<br/>
      To wear the Willow in my Prime of Youth.</p>

      <p class="verse"><i>Jul.</i> Oh! do not rack me with these ill-placed Doubts;<br/>
      Nor think, tho&rsquo; Age has in my Father&rsquo;s Breast<br/>
      Put out Love&rsquo;s Flame, he therefore has not Eyes,<br/>
      Or is in Judgment blind. You wrong your Beauties,<br/>
      <i>Venus</i> will frown if you disprize her Gifts,<br/>
      That have a Face would make a frozen Hermit<br/>
      Leap from his Cell, and burn his Beads to kiss it;<br/>
      Eyes, that are nothing but continual Births<br/>
      Of new Desires in Those that view their Beams.<br/>
      You cannot have a Cause to doubt.</p>

      <p class="verse"><i>Leon.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Why,
<i>Julio</i>?<br/>
      When you that dare not chuse without your Father,<br/>
      And, where you love, you dare not vouch it; must not,<br/>
      Though you have Eyes, see with &rsquo;em; &mdash; can I, think you,<br/>
      Somewhat, perhaps, infected with your Suit,<br/>
      Sit down content to say, You would, but dare not?</p>

      <p class="verse"><i>Jul.</i> Urge not Suspicions of what cannot be;<br/>
      You deal unkindly; mis-becomingly,<br/>
      I&rsquo;m loth to say: For All that waits on you,<br/>
      Is graced, and graces. &mdash; No Impediment<br/>
      Shall bar my Wishes, but such grave Delays<br/>
      As Reason presses Patience with; which blunt not,<br/>
      But rather whet our Loves. Be patient, Sweet.</p>

      <p class="verse"><i>Leon.</i> Patient! What else? My Flames are in the Flint.<br/>
      Haply, to lose a Husband I may weep;<br/>
      Never, to get One: When I cry for Bondage,<br/>
      Let Freedom quit me.</p>

      <p class="verse"><i>Jul.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;From
what a Spirit comes This?<br/>
      I now perceive too plain, you care not for me.<br/>
      Duke, I obey thy Summons, be its Tenour<br/>
      Whate&rsquo;er it will: If War, I come thy Souldier:<br/>
      Or if to waste my silken Hours at Court,<br/>
      The Slave of Fashion, I with willing Soul<br/>
      Embrace the lazy Banishment for Life;<br/>
      Since <i>Leonora</i> has pronounc&rsquo;d my Doom.</p>

      <p class="verse"><i>Leon.</i> What do you mean? Why talk you of the Duke?<br/>
      Wherefore of War, or Court, or Banishment?</p>

      <p class="verse"><i>Jul.</i> How this new Note is grown of me, I know not;<br/>
      But the Duke writes for Me. Coming to move<br/>
      My Father in our Bus&rsquo;ness, I did find him<br/>
      Reading this Letter; whose Contents require<br/>
      My instant Service, and Repair to Court.</p>

      <p class="verse"><i>Leon.</i> Now I perceive the Birth of these Delays;<br/>
      Why <i>Leonora</i> was not worth your Suit.<br/>
      Repair to Court? Ay, there you shall, perhaps,<br/>
      (Rather, past Doubt;) behold some choicer Beauty,<br/>
      Rich in her Charms, train&rsquo;d to the Arts of Soothing,<br/>
      Shall prompt you to a Spirit of Hardiness,<br/>
      To say, So please you, Father, I have chosen<br/>
      This Mistress for my own. &mdash;</p>

      <p class="verse"><i>Jul.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Still
you mistake me:<br/>
      Ever your Servant I profess my self;<br/>
      And will not blot me with a Change, for all<br/>
      That Sea and Land inherit.</p>

      <p class="verse"><i>Leon.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;But
when go you?<a href="#fn43s" id="fn43a" class="fna">41</a></p>

      <p class="verse"><i>Jul.</i> To morrow, Love; so runs the Duke&rsquo;s Command;<br/>
      Stinting our Farewell-kisses, cutting off<br/>
      The Forms of Parting, and the Interchange<br/>
      Of thousand precious Vows, with Haste too rude.<br/>
      Lovers have Things of Moment to debate,<br/>
      More than a Prince, or dreaming Statesman, know:<br/>
      Such Ceremonies wait on <i>Cupid</i>&rsquo;s Throne.<br/>
      Why heav&rsquo;d that Sigh?</p>

      <p class="verse"><i>Leon.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;O
<i>Julio</i>, let me whisper<a href="#fn44s" id="fn44a" class="fna">42</a><br/>
      What, but for Parting, I should blush to tell thee:<br/>
      My Heart beats thick with Fears, lest the gay Scene,<br/>
      The Splendors of a Court, should from thy Breast<br/>
      Banish my Image, kill my Int&rsquo;rest in thee,<br/>
      And I be left, the Scoff of Maids, to drop<br/>
      A Widow&rsquo;s Tear for thy departed Faith.</p>

      <p class="verse"><i>Jul.</i> O let Assurance, strong as Words can bind,<br/>
      Tell thy pleas&rsquo;d Soul, I will be wond&rsquo;rous faithful;<br/>
      True, as the Sun is to his Race of Light,<br/>
      As Shade to Darkness, as Desire to Beauty:<br/>
      And when I swerve, let Wretchedness o&rsquo;ertake me,<br/>
      Great as e&rsquo;er Falshood met, or Change can merit.</p>

      <p class="verse"><i>Leon.</i> Enough; I&rsquo;m satisfied: and will remain<br/>
      Yours, with a firm and untir&rsquo;d Constancy.<br/>
      Make not your Absence long: Old Men are wav&rsquo;ring;<br/>
      And sway&rsquo;d by Int&rsquo;rest more than Promise giv&rsquo;n.<br/>
      Should some fresh Offer start, when you&rsquo;re away,<br/>
      I may be prest to Something, which must put<br/>
      My Faith, or my Obedience, to the Rack.</p>

      <p class="verse"><i>Jul.</i> Fear not, but I with swiftest Wing of Time<br/>
      Will labour my Return. And in my Absence,<br/>
      My noble Friend, and now our honour&rsquo;d Guest,<br/>
      The Lord <i>Henriquez</i>, will in my behalf<br/>
      Hang at your Father&rsquo;s Ear, and with kind Hints,<br/>
      Pour&rsquo;d from a friendly Tongue, secure my Claim;<br/>
      And play the Lover for thy absent <i>Julio</i>.</p>

      <p class="verse"><i>Leon.</i> Is there no Instance of a Friend turn&rsquo;d false?<br/>
      Take Heed of That: No Love by Proxy, <i>Julio.</i><br/>
      My Father&mdash;;</p>

      <p class="center-direction">Enters <span class="r">Don Bernard</span>.</p>

      <p class="prose"><i>D. Bern.</i> What, <i>Julio</i>, in
      publick? This Wooeing is too urgent. Is your Father yet moved in the
      Suit, who must be the prime Unfolder of this Business?</p>

      <p class="verse"><i>Jul.</i> I have not yet, indeed, at full possess&rsquo;d<br/>
      My Father, whom it is my Service follows;<br/>
      But only that I have a Wife in Chase.</p>

      <p class="prose"><i>D. Bern.</i> Chase! &mdash; Let Chase
      alone: No Matter for That.&mdash; You may halt after her, whom you
      profess to pursue, and catch her too; Marry, not unless your Father let
      you slip. &mdash; Briefly, I desire you, (for she tells me, my
      Instructions shall be both Eyes and Feet to her;) no farther to insist
      in your Requiring, &rsquo;till, as I have formerly said, <i>Camillo</i> make
      known to Me, that his good Liking goes along with Us; which but once
      breath&rsquo;d, all is done; &rsquo;till when, the Business has no Life, and cannot
      find a Beginning.</p>

      <p class="verse"><i>Jul.</i> Sir, I will know his Mind, e&rsquo;er I taste Sleep:<br/>
      At Morn, you shall be learn&rsquo;d in his Desire.<br/>
      I take my Leave. &mdash; O virtuous <i>Leonora</i>,<br/>
      Repose, sweet as thy Beauties, seal thy Eyes;<br/>
      Once more, adieu. I have thy Promise, Love;<br/>
      Remember, and be faithful.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Ex.&nbsp;</i>Julio<i>.</i></p>

      <p class="prose"><i>D. Bern.</i> His Father is as unsettled,
      as he is wayward, in his Disposition. If I thought young <i>Julio</i>&rsquo;s
      Temper were not mended by the Mettal<a href="#fn45s" id="fn45a" class="fna">43 </a>
      of his Mother, I should be something crazy in giving my Consent to this
      Match: And, to tell you true, if my Eyes might be the Directors to your
      Mind, I could in this Town look upon Twenty Men of more delicate
      Choice. I speak not This altogether to unbend your Affections to him:
      But the Meaning of what I say is, that you set such Price upon yourself
      to him, as Many, and much his Betters, would buy you at; (and reckon
      those Virtues in you at the rate of their Scarcity;) to which if he
      come not up, you remain for a better Mart.</p>

      <p class="verse"><i>Leon.</i> My Obedience, Sir, is chain&rsquo;d to your Advice.</p>

      <p class="prose"><i>D. Bern.</i> &rsquo;Tis well said, and wisely. I
      fear, your Lover is a little Folly-tainted; which, shortly after it
      proves so, you will repent.</p>

      <p class="prose"><i>Leon.</i> Sir, I confess, I approve him of
      all the Men I know; but that Approbation is nothing, &rsquo;till season&rsquo;d by
      your Consent.</p>

      <p class="prose"><i>D. Bern.</i> We shall hear soon what his
      Father will do, and so proceed accordingly. I have no great Heart to
      the Business, neither will I with any Violence oppose it: But leave it
      to that Power which rules in these Conjunctions, and there&rsquo;s an End.
      Come; haste We homeward, Girl.
      &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Exeunt.</i></p>
      
    </div>
    
    <div id="scene-i-iii" class="scene">

      <h3 id="scene-i-iii-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h3>

      <h3 class="scene"><span class="caps">Scene III.</span></h3>

      <p class="center-direction">Enter <span class="r">Henriquez</span>, and Servants with Lights.</p>

      <p class="verse"><i>Henr.</i> Bear the Lights close: &mdash; Where is the Musick, Sirs?</p>

      <p class="prose"><i>Serv.</i> Coming, my Lord.</p>

      <p class="verse"><i>Henr.</i> Let &rsquo;em not come too near. This Maid,<br/>
      For whom my Sighs ride on the Night&rsquo;s chill Vapour,<br/>
      Is born most humbly, tho&rsquo; she be as fair<br/>
      As Nature&rsquo;s richest Mould and Skill can make her,<br/>
      Mended with strong Imagination.<br/>
      But what of That? Th&rsquo; Obscureness of her Birth<br/>
      Cannot eclipse the Lustre of her Eyes,<br/>
      Which make her all One Light.&mdash; Strike up, my Masters;<br/>
      But touch the Strings with a religious Softness;<br/>
      Teach Sound to languish thro&rsquo; the Night&rsquo;s dull Ear,<br/>
      &rsquo;Till Melancholy start from her lazy Couch,<br/>
      And Carelessness grow Convert to Attention.</p>

      <p class="right-direction"><span class="r">[</span>Musick plays.</p>

      <p class="verse-unindented">She drives me into Wonder, when I sometimes<br/>
      Hear her discourse; The Court, whereof Report,<br/>
      And Guess alone inform her, she will rave at,<br/>
      As if she there sev&rsquo;n Reigns had slander&rsquo;d Time.<br/>
      Then, when she reasons on her Country State,<br/>
      Health, Virtue, Plainness, and Simplicity,<br/>
      On Beauties true in Title, scorning Art,<br/>
      Freedom as well to do, as think, what&rsquo;s good;<br/>
      My Heart grows sick of Birth and empty Rank,<br/>
      And I become a Villager in Wish.<br/>
      Play on; &mdash; She sleeps too sound: &mdash; Be still, and vanish:<br/>
      A Gleam of Day breaks sudden from her Window:<br/>
      O Taper, graced by that midnight Hand!</p>

      <p class="center-direction"><span class="r">Violante</span> appears above at her Window.</p>

      <p class="verse"><i>Viol.</i> Who is&rsquo;t, that wooes at this late Hour? What are you?</p>

      <p class="verse"><i>Henr.</i> One, who for your dear Sake &mdash;</p>

      <p class="verse"><i>Viol.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Watches
the starless Night!<br/>
      My Lord <i>Henriquez</i>, or my Ear deceives me.<br/>
      You&rsquo;ve had my Answer, and &rsquo;tis more than strange<br/>
      You&rsquo;ll combat these Repulses. Good my Lord,<br/>
      Be Friend to your own Health; and give me Leave,<br/>
      Securing my poor Fame, nothing to pity<br/>
      What Pangs you swear you suffer. &rsquo;Tis impossible<br/>
      To plant your choice Affections in my Shade,<br/>
      At least, for them to grow there.</p>

      <p class="verse"><i>Henr.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Why,
<i>Violante</i>?</p>

      <p class="verse"><i>Viol.</i> Alas! Sir, there are Reasons numberless<br/>
      To bar your Aims. Be warn&rsquo;d to Hours more wholesom;<br/>
      For, These you watch in vain. I have read Stories,<br/>
      (I fear, too true ones;) how young Lords, like you,<br/>
      Have thus besung mean Windows, rhymed their Sufferings<br/>
      Ev&rsquo;n to th&rsquo;Abuse of Things Divine, set up<br/>
      Plain Girls, like me, the Idols of their Worship,<br/>
      Then left them to bewail their easie Faith,<br/>
      And stand the World&rsquo;s Contempt.</p>

      <p class="verse"><i>Henr.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Your
Memory,<br/>
      Too faithful to the Wrongs of few lost Maids,<br/>
      Makes Fear too general.</p>

      <p class="verse"><i>Viol.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Let
us be homely,<br/>
      And let us too be chast, doing you Lords no Wrong;<br/>
      But crediting your Oaths with such a Spirit,<br/>
      As you profess them: so no Party trusted<br/>
      Shall make a losing Bargain. Home, my Lord,<br/>
      What you can say, is most unseasonable; what sing,<br/>
      Most absonant and harsh: Nay, your Perfume,<br/>
      Which I smell hither, cheers<a href="#fn46s" id="fn46a" class="fna">44</a> not my Sense<br/>
      Like our Field-violet&rsquo;s Breath.</p>

      <p class="verse"><i>Henr.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Why
this Dismission<br/>
      Does more invite my Staying.</p>

      <p class="verse"><i>Viol.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Men
of your Temper<br/>
      Make ev&rsquo;ry Thing their Bramble. But I wrong<br/>
      That which I am preserving, my Maid&rsquo;s Name,<br/>
      To hold so long Discourse. Your Virtues guide you<br/>
      T&rsquo;effect some nobler Purpose!&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Ex.&nbsp;</i>Violante<i>.</i></p>

      <p class="verse"><i>Henr.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Stay,
bright Maid!<a href="#fn47s" id="fn47a" class="fna">45</a><br/>
      Come back, and leave me with a fairer Hope.<br/>
      She&rsquo;s gone:&mdash;&nbsp; Who am I, that am thus contemn&rsquo;d?<a href="#fn48s" id="fn48a" class="fna">46</a><br/>
      The second Son to a Prince? &mdash; Yes; well; What then?<br/>
      Why, your great Birth forbids you to descend<br/>
      To a low Alliance: &mdash;&nbsp; Her&rsquo;s<a href="#fn49s" id="fn49a" class="fna">47</a> is the self-same Stuff,<br/>
      Whereof we Dukes are made; but Clay more pure!<br/>
      And take away my Title, which is acquir&rsquo;d<br/>
      Not by my self, but thrown by Fortune on Me,<br/>
      Or by the Merit of some Ancestour<br/>
      Of singular Quality, She doth inherit<br/>
      Deserts t&rsquo;outweigh me. &mdash; I must stoop to gain her;<br/>
      Throw all my gay Comparisons<a href="#fn50s" id="fn50a" class="fna">48</a> aside,<br/>
      And turn my proud Additions out of Service,<br/>
      Rather than keep them to become my Masters.<br/>
      &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The Dignities we wear, are Gifts of Pride;<br/>
      &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;And laugh&rsquo;d at by the Wise, as meer Outside.</p>

      <p class="right-direction"><span class="r">[</span>Exit.</p>

      <p class="center-direction">End of the First Act.</p>


      <div class="figDesc">Floral tailpiece</div>
      
    </div>
    
  </div>
  
  <hr class="pagebreak"/>

  <div id="act-ii" class="act">

    <h2 id="act-ii-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h2>

    <div class="figDesc">Floral bar with bowl</div>

    <h2 class="act"><span class="caps">Act II.</span> <span class="caps">Scene</span> I.</h2>
    
    <div id="scene-ii-i" class="scene">

      <h3 id="scene-ii-i-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h3>

      <h3 class="scene"><span class="caps">Scene,</span> <i>The Prospect of a Village.</i></h3>

      <p class="center-direction">Enter <span class="r">Fabian</span> and <span class="r">Lopez</span>; <span class="r">Henriquez</span> on the Opposite Side.</p>

      <p class="prose-unindented"><span class="innerDrop"><i>Lop.</i> <span class="innerDropCap2">S</span></span><span class="caps">oft,</span>
      soft you, Neighbour; who comes here? Pray you, slink aside.</p>

      <p class="prose"><i>Henr.</i> Ha! Is it come to this? Oh the
      Devil, the Devil, the Devil!</p>

      <p class="prose"><i>Fab.</i> Lo you now! for Want of the
      discreet Ladle of a cool Understanding, will this Fellow&rsquo;s Brains boil
      over.</p>

      <p class="verse"><i>Henr.</i> To have enjoy&rsquo;d her, I would have given &mdash; What?<br/>
      All that at present I could boast my own,<br/>
      And the Reversion of the World to boot,<br/>
      Had the Inheritance been mine: &mdash; And now,<br/>
      (Just Doom of guilty Joys!) I grieve as much<br/>
      That I have rifled all the Stores of Beauty,<br/>
      Those Charms of Innocence and artless Love,<br/>
      As just before I was devour&rsquo;d with Sorrow,<br/>
      That she refus&rsquo;d my Vows, and shut the Door<br/>
      Upon my ardent Longings.</p>

      <p class="prose"><i>Lop.</i> Love! Love! &mdash; Downright
      Love! I see by the Foolishness of it.</p>

      <p class="prose"><i>Henr.</i> Now then to Recollection &mdash;
      Was&rsquo;t not so? A Promise first of Marriage &mdash; Not a Promise only,
      for &rsquo;twas bound with Surety of a thousand Oaths; &mdash; and those not
      light ones neither. &mdash; Yet I remember too, those Oaths could not
      prevail; th&rsquo; unpractis&rsquo;d Maid trembled to meet my Love: By Force alone
      I snatch&rsquo;d th&rsquo; imperfect Joy, which now torments my Memory. Not Love,
      but brutal Violence prevail&rsquo;d; to which the Time, and Place, and
      Opportunity, were Accessaries most dishonourable. Shame, Shame upon
      it!</p>

      <p class="prose"><i>Fab.</i> What a Heap of Stuff&rsquo;s this
      &mdash; I fancy, this Fellow&rsquo;s Head would make a good Pedlar&rsquo;s Pack,
      Neighbour.</p>

      <p class="prose"><i>Henr.</i> Hold, let me be severe to my
      Self, but not unjust. &mdash; Was it a Rape then? No. Her Shrieks, her
      Exclamations then had drove me from her. True, she did not consent; as
      true, she did resist; but still in Silence all. &mdash; &rsquo;Twas but the
      Coyness of a modest Bride, not the Resentment of a ravisht Maid. And is
      the Man yet born, who would not risque the Guilt, to meet the Joy?
      &mdash; The Guilt! that&rsquo;s true &mdash; but then the Danger; the Tears,
      the Clamours of the ruin&rsquo;d Maid, pursuing me to Court. That, that, I
      fear will (as it already does my Conscience) something shatter my
      Honour. What&rsquo;s to be done? But now I have no Choice. Fair <i>
      Leonora</i> reigns confest the Tyrant Queen of my revolted Heart, and
      <i>Violante</i> seems a short Usurper there. &mdash; <i>Julio</i>&rsquo;s
      already by my Arts remov&rsquo;d.&mdash; O Friendship, how wilt thou answer
      That? Oh, that a Man could reason down this Feaver of the Blood, or
      sooth with Words the Tumult in his Heart! Then, <i>Julio</i>, I might
      be, indeed, thy Friend. They, they only should condemn me, who born
      devoid of Passion ne&rsquo;er have prov&rsquo;d the fierce Disputes &rsquo;twixt Virtue
      and Desire. While they, who have, like me,<br/>
      &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The loose Escapes of youthful Nature known,<a href="#fn51s" id="fn51a" class="fna">49</a><br/>
      &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Must wink at mine, indulgent to their own.</p>

      <p class="right-direction"><span class="r">[</span>Exit <span class="r">Henriquez</span>.</p>

      <p class="prose"><i>Lop.</i> This Man is certainly mad, and
      may be mischievous. Pr&rsquo;ythee, Neighbour, let&rsquo;s follow him; but at some
      Distance, for fear of the worst.</p>

      <p class="right-direction"><span class="r">[</span>Exeunt, after <span class="r">Henr</span>.</p>
      
    </div>
    
    <div id="scene-ii-ii" class="scene">

    <h2 id="scene-ii-ii-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h2>

      <h3 class="scene"><span class="caps">Scene II.</span> <i>An Apartment.</i></h3>

      <p class="center-direction">Enters <span class="r">Violante</span> alone.</p>

      <p class="verse"><i>Viol.</i> Whom shall I look upon without a Blush?<br/>
      There&rsquo;s not a Maid, whose Eye with Virgin Gaze<br/>
      Pierces not to my Guilt. What will&rsquo;t avail me,<br/>
      To say I was not willing;<br/>
      Nothing; but that I publish my Dishonour,<br/>
      And wound my Fame anew. &mdash; O Misery,<br/>
      To seem to all one&rsquo;s Neighbours rich, yet know<br/>
      One&rsquo;s Self necessitous and wretched.</p>

      <p class="center-direction">Enter Maid, and afterwards <span class="r">Gerald</span> with a Letter.</p>

      <p class="verse"><i>Maid.</i> Madam, here&rsquo;s <i>Gerald</i>, Lord <i>Henriquez</i>&rsquo; Servant;<br/>
      He brings a Letter to you.</p>

      <p class="verse"><i>Viol.</i> A Letter to me! How I tremble now!<br/>
      Your Lord&rsquo;s for Court, good <i>Gerald</i>, is he not?</p>

      <p class="verse"><i>Ger.</i> Not so, Lady.</p>

      <p class="verse"><i>Viol.</i> O my presaging Heart! When goes he then?</p>

      <p class="verse"><i>Ger.</i> His Business now steers him some other Course.</p>

      <p class="verse"><i>Viol.</i> Whither, I pray you? &mdash; How my Fears torment me!</p>

      <p class="verse"><i>Ger.</i> Some two Months Progress.</p>

      <p class="verse"><i>Viol.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Whither,
whither, Sir,<br/>
      I do beseech you? Good Heav&rsquo;ns, I lose all Patience.<br/>
      Did he deliberate this? or was the Business<br/>
      But then conceiv&rsquo;d, when it was born?</p>

      <p class="prose"><i>Ger.</i> Lady, I know not That; nor is it
      in the Command I have to wait your Answer. For the perusing the Letter
      I commend you to your Leisure.</p>

      <p class="right-direction"><span class="r">[</span>Exit <span class="r">Gerald</span>.</p>

      <p class="verse"><i>Viol.</i> To Hearts like mine Suspence is Misery.<br/>
      Wax, render up thy Trust: Be the Contents<br/>
      Prosp&rsquo;rous, or fatal, they are all my Due.</p>

      <p class="letter">Reads.] <i>Our Prudence should now teach us to forget,<br/>
      what our Indiscretion has committed. I<br/>
      have already made one Step towards this<br/>
      Wisdom, by prevailing on Myself to bid you</i><br/>
      Farewell.</p>

      <p class="verse">O, Wretched and betray&rsquo;d! Lost <i>Violante!<br/>
      </i>Heart-wounded with a thousand perjur&rsquo;d Vows,<br/>
      Poison&rsquo;d with studied Language, and bequeath&rsquo;d<br/>
      To Desperation. I am now become<br/>
      The Tomb of my own Honour: a dark Mansion,<br/>
      For Death alone to dwell in. I invite thee,<br/>
      Consuming Desolation, to this Temple,<br/>
      Now fit to be thy Spoil: the ruin&rsquo;d Fabrick,<br/>
      Which cannot be repair&rsquo;d, at once o&rsquo;er-throw.<br/>
      What must I do? &mdash; But That&rsquo;s not worth my Thought:<br/>
      I will commend to Hazard all the Time<br/>
      That I shall spend hereafter: Farewel, my Father,<br/>
      Whom I&rsquo;ll no more offend: and Men, adieu,<br/>
      Whom I&rsquo;ll no more believe: and Maids, adieu,<br/>
      Whom I&rsquo;ll no longer shame. The Way I go,<br/>
      As yet I know not. &mdash; Sorrow be my Guide.</p>

      <p class="right-direction"><span class="r">[</span>Exit <span class="r">Violante</span>.</p>
    
    </div>
    
    <div id="scene-ii-iii" class="scene">

      <h3 id="scene-ii-iii-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h3>

      <h3 class="scene"><span class="caps">Scene III.</span> <i>Prospect of a Village, before</i> Don Bernard<i>&rsquo;s House.</i></h3>

      <p class="center-direction">Enters <span class="r">Henriquez</span>.</p>

      <p class="verse"><i>Henr.</i>
      Where were the Eyes, the Voice, the various Charms,<br/>
      Each beauteous Particle, each nameless Grace,<br/>
      Parents of glowing Love? All These in Her,<br/>
      It seems, were not: but a Disease in Me,<br/>
      That fancied Graces in her. &mdash; Who ne&rsquo;er beheld<br/>
      More than a Hawthorne, shall have Cause to say<br/>
      The Cedar&rsquo;s a tall Tree; and scorn the Shade,<br/>
      The lov&rsquo;d Bush once had lent him. Soft! mine Honour<br/>
      Begins to sicken in this black Reflection.<br/>
      How can it be, that with my Honour safe<br/>
      I should pursue <i>Leonora</i> for my Wife?<br/>
      That were accumulating Injuries,<br/>
      To <i>Violante</i> first, and now to <i>Julio</i>;<br/>
      To her a perjur&rsquo;d Wretch, to him perfidious;<br/>
      And to myself in strongest Terms accus&rsquo;d<br/>
      Of murth&rsquo;ring Honour wilfully, without which<br/>
      My Dog&rsquo;s the Creature of the nobler Kind. &mdash;<br/>
      But Pleasure is too strong for Reason&rsquo;s Curb;<br/>
      And Conscience sinks o&rsquo;er-power&rsquo;d with Beauty&rsquo;s Sweets.<br/>
      Come, <i>Leonora</i>, Authress of my Crime,<br/>
      Appear, and vindicate thy Empire here;<br/>
      Aid me to drive this ling&rsquo;ring Honour hence,<br/>
      And I am wholly thine.</p>

      <p class="center-direction">Enter to him, Don <span class="r">Bernard</span> and <span class="r">Leonora</span>.</p>

      <p class="verse"><i>D. Bern.</i> Fye, my good Lord; why would you wait without?<br/>
      If you suspect your Welcome, I have brought<br/>
      My <i>Leonora</i> to assure you of it.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[Henr.&nbsp;<i>Salutes</i>&nbsp;Leon.</p>

      <p class="verse"><i>Henr.</i> O Kiss, sweet as the Odours of the Spring,<br/>
      But cold as Dews that dwell on Morning Flow&rsquo;rs!<br/>
      Say, <i>Leonora</i>, has your Father conquer&rsquo;d?<br/>
      Shall Duty then at last obtain the Prize,<br/>
      Which you refus&rsquo;d to Love? And shall <i>Henriquez<br/>
      </i>Owe all his Happiness to good <i>Bernardo</i>?<br/>
      Ah! no; I read my Ruin in your Eyes:<br/>
      That Sorrow, louder than a thousand Tongues,<br/>
      Pronounces my Despair.</p>

      <p class="verse"><i>D. Bern.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Come,
<i>Leonora</i>,<br/>
      You are not now to learn, this noble Lord,<br/>
      (Whom but to name, restores my failing Age,)<br/>
      Has with a Lover&rsquo;s Eye beheld your Beauty;<br/>
      Thro&rsquo; which his Heart speaks more than Language can;<br/>
      It offers Joy and Happiness to You,<br/>
      And Honour to our House. Imagine then<br/>
      The Birth and Qualities of him that loves you;<br/>
      Which when you know, you cannot rate too dear.</p>

      <p class="verse"><i>Leon.</i> My Father, on my Knees I do beseech you<br/>
      To pause one Moment on your Daughter&rsquo;s Ruin.<br/>
      I vow, my Heart ev&rsquo;n bleeds, that I must thank you<br/>
      For your past Tenderness; and yet distrust<br/>
      That which is yet behind. Consider, Sir,<br/>
      Whoe&rsquo;er&rsquo;s th&rsquo; Occasion of another&rsquo;s Fault,<br/>
      Cannot himself be innocent. O, give not<br/>
      The censuring World Occasion to reproach<br/>
      Your harsh Commands; or to my Charge lay That<br/>
      Which most I fear, the Fault of Disobedience.</p>

      <p class="prose"><i>D. Bern.</i> Pr&rsquo;ythee, fear neither the
      One, nor the Other: I tell thee, Girl, there&rsquo;s more Fear than Danger.
      For my own part, as soon as Thou art married to this noble Lord, my
      Fears will be over.</p>

      <p class="verse"><i>Leon.</i> Sir, I should be the vainest of my Sex,<br/>
      Not to esteem myself unworthy far<br/>
      Of this high Honour. Once there was a Time,<br/>
      When to have heard my Lord <i>Henriquez</i>&rsquo; Vows,<br/>
      Might have subdued my unexperienc&rsquo;d Heart,<br/>
      And made me wholly his. &mdash; But That&rsquo;s now past:<br/>
      And my firm-plighted Faith by your Consent<br/>
      Was long since given to the injur&rsquo;d <i>Julio</i>.</p>

      <p class="prose"><i>D. Bern.</i> Why then, by my Consent e&rsquo;en
      take it back again. Thou, like a simple Wench, hast given thy
      Affections to a Fellow, that does not care a Farthing for them. One,
      that has left thee for a Jaunt to Court; as who should say, I&rsquo;ll get a
      Place now; &rsquo;tis Time enough to marry, when I&rsquo;m turn&rsquo;d out of it.</p>

      <p class="verse"><i>Henr.</i> So, surely, it should seem, most lovely Maid;<br/>
      <i>Julio</i>, alas, feels nothing of my Passion:<br/>
      His Love is but th&rsquo; Amusement of an Hour,<br/>
      A short Relief from Business, or Ambition,<br/>
      The Sport of Youth, and Fashion of the Age.<br/>
      O! had he known the Hopes, the Doubts, the Ardours,<br/>
      Or half the fond Varieties of Passion,<br/>
      That play the Tyrant with my tortur&rsquo;d Soul;<br/>
      He had not left Thee to pursue his Fortune:<br/>
      To practise Cringes in a slavish Circle,<br/>
      And barter real Bliss for unsure Honour.</p>

      <p class="verse"><i>Leon.</i> Oh, the opposing Wind,<br/>
      Should&rsquo;ring the Tide, makes here a fearful Billow:<br/>
      I needs must perish in it.&mdash; Oh, my Lord,<br/>
      Is it then possible, you can forget<br/>
      What&rsquo;s due to your great Name, and princely Birth,<br/>
      To Friendship&rsquo;s holy Law, to Faith repos&rsquo;d,<br/>
      To Truth, to Honour, and poor injur&rsquo;d <i>Julio</i>?<br/>
      O think, my Lord, how much this <i>Julio</i> loves you;<br/>
      Recall his Services, his well-try&rsquo;d Faith;<br/>
      Think too, this very Hour, where-e&rsquo;er he be,<br/>
      Your Favour is the Envy of the Court,<br/>
      And secret Triumph of his grateful Heart.<br/>
      Poor <i>Julio</i>, how securely thou depend&rsquo;st<br/>
      Upon the Faith and Honour of thy Master;<br/>
      Mistaken Youth! this very Hour he robs thee<br/>
      Of all thy Heart holds dear.&mdash; &rsquo;Tis so <i>Henriquez<br/>
      </i>Repays the Merits of unhappy <i>Julio</i>.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Weeps.</i></p>

      <p class="verse"><i>Henr.</i> My slumb&rsquo;ring Honour catches the Alarm.<a href="#fn52s" id="fn52a" class="fna">51</a><br/>
      I was to blame to parley with her thus:<br/>
      Sh&rsquo;as shown me to myself.&nbsp; It troubles me.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Aside.</i></p>

      <p class="prose"><i>D. Bern.</i> Mad; Mad. Stark mad, by this
      Light.</p>

      <p class="verse"><i>Leon.</i> I but begin to be so. &mdash; I conjure you,<br/>
      By all the tender Interests of Nature,<br/>
      By the chaste Love &rsquo;twixt you, and my dear Mother,<br/>
      (O holy Heav&rsquo;n, that she were living now!)<br/>
      Forgive and pity me.&mdash; Oh, Sir, remember,<br/>
      I&rsquo;ve heard my Mother say a thousand Times,<br/>
      Her Father would have forced her Virgin Choice;<br/>
      But when the Conflict was &rsquo;twixt Love and Duty,<br/>
      Which should be first obey&rsquo;d, my Mother quickly<br/>
      Paid up her Vows to Love, and married You.<br/>
      You thought this well, and she was praised for This;<br/>
      For this her Name was honour&rsquo;d, Disobedience<br/>
      Was ne&rsquo;er imputed to her, her firm Love<br/>
      Conquer&rsquo;d whate&rsquo;er oppos&rsquo;d it, and she prosper&rsquo;d<br/>
      Long Time your Wife. My Case is now the same;<br/>
      You are the Father, which You then condemn&rsquo;d;<br/>
      I, what my Mother was; but not so happy.&mdash;</p>

      <p class="prose"><i>D. Bern.</i> Go to, you&rsquo;re a Fool. No
      doubt, You have old Stories enough to undo you.&mdash; What, you can&rsquo;t
      throw yourself away but by Precedent, ha?&mdash;&nbsp;&nbsp;You will
      needs be married to One, that will None of You? You will be happy no
      Body&rsquo;s way but your own, forsooth.&mdash; But, d&rsquo;ye mark me, spare your
      Tongue for the future; (and That&rsquo;s using you hardly too, to bid you
      spare what you have a great deal too much of:) Go, go your ways, and
      d&rsquo;ye hear, get ready within these Two days to be married to a Husband
      you don&rsquo;t deserve; &mdash; Do it, or, by my dead Father&rsquo;s Soul, you are
      no Acquaintance of mine.</p>

      <p class="verse"><i>Henr.</i> She weeps: Be gentler to her, good <i>Bernardo</i>.</p>

      <p class="verse"><i>Leon.</i> Then Woe the Day. &mdash; I&rsquo;m circled round with Fire;<br/>
      No Way for my Escape, but thro&rsquo; the Flames.<br/>
      Oh, can I e&rsquo;er resolve to live without<br/>
      A Father&rsquo;s Blessing, or abandon <i>Julio?</i><br/>
      With other Maids, the Choice were not so hard;<br/>
      Int&rsquo;rest, that rules the World, has made at last<br/>
      A Merchandize of Hearts: and Virgins now<br/>
      Chuse as they&rsquo;re bid, and wed without Esteem.<br/>
      &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;By nobler Springs shall my Affections move;<a href="#fn53s" id="fn53a" class="fna">52</a><br/>
      &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Nor own a Master, but the Man I love.</p>

      <p class="right-direction"><span class="r">[</span>Exit <span class="r">Leonora</span>.</p>

      <p class="prose"><i>D. Bern.</i> Go thy ways, Contradiction.
      &mdash; Follow her, my Lord; follow her, in the very Heat. This
      Obstinacy must be combated by Importunity as obstinate.
      &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[ <i>
      Exit&nbsp;</i>Henriquez&nbsp;<i>after&nbsp;her.</i></p>

      <p class="prose">The Girl says right; her Mother was just such
      Another. I remember, Two of Us courted her at the same Time. She lov&rsquo;d
      neither of Us, but She chose me purely to spight that surly Old
      Blockhead my Father-in-Law. Who comes here, <i>Camillo?</i> Now the
      refusing Part will lie on my Side.&mdash;</p>

      <p class="center-direction">Enters <span class="r">Camillo</span>.</p>

      <p class="prose"><i>Cam.</i> My worthy Neighbour, I am much in
      Fortune&rsquo;s Favour to find You thus alone. I have a Suit to You.</p>

      <p class="prose"><i>D. Bern.</i> Please to name it, Sir.</p>

      <p class="prose"><i>Cam.</i> Sir, I have long held You in
      singular Esteem: and what I shall now say, will be a Proof of it. You
      know, Sir, I have but one Son.</p>

      <p class="prose"><i>D. Bern.</i> Ay, Sir.</p>

      <p class="prose"><i>Cam.</i> And the Fortune I am blest
      withal, You pretty well know what it is.</p>

      <p class="prose"><i>D. Bern.</i> &rsquo;Tis a fair One, Sir.</p>

      <p class="prose"><i>Cam.</i> Such as it is, the whole
      Reversion is my Son&rsquo;s. He is now engaged in his Attendance on our
      Master, the Duke. But e&rsquo;er he went, he left with me the Secret of his
      Heart, his Love for your fair Daughter. For your Consent, he said,
      &rsquo;twas ready: I took a Night, indeed, to think upon it, and now have
      brought you mine; and am come to bind the Contract with half my Fortune
      in present, the Whole some time hence, and, in the mean while, my
      hearty Blessing. Ha? What say You to&rsquo;t, <i>Don Bernard?</i></p>

      <p class="prose"><i>D. Bern.</i> Why, really, Neighbour,
      &mdash; I must own, I have heard Something of this Matter.&mdash;</p>

      <p class="prose"><i>Cam.</i> Heard Something of it? No doubt,
      you have.</p>

      <p class="prose"><i>D. Bern.</i> Yes, now I recollect it
      well.</p>

      <p class="prose"><i>Cam.</i> Was it so long ago then?</p>

      <p class="prose"><i>D. Bern.</i> Very long ago,
      Neighbour.&mdash; On <i>Tuesday</i> last.</p>

      <p class="prose"><i>Cam.</i> What, am I mock&rsquo;d in this
      Business, <i>Don Bernard?</i></p>

      <p class="prose"><i>D. Bern.</i> Not mock&rsquo;d, good <i>
      Camillo</i>, not mock&rsquo;d: But in Love-matters, you know, there are
      Abundance of Changes in half an Hour. Time, Time, Neighbour, plays
      Tricks with all of us.</p>

      <p class="prose"><i>Cam.</i> Time, Sir! What tell you me of
      Time? Come, I see how this goes. Can a little Time take a Man by the
      Shoulder, and shake off his Honour? Let me tell you, Neighbour, it must
      either be a strong Wind, or a very mellow Honesty that drops so easily.
      Time, quoth&rsquo;a?</p>

      <p class="prose"><i>D. Bern.</i> Look&rsquo;ee, <i>Camillo</i>; will
      you please to put your Indignation in your Pocket for half a Moment,
      while I tell you the whole Truth of the Matter.<a href="#fn54s" id="fn54a" class="fna">53 </a> 
      My Daughter, you must know, is such a tender Soul, she cannot possibly
      see a Duke&rsquo;s younger Son without falling desperately in Love with him.
      Now, you know, Neighbour, when Greatness rides Post after a Man of my
      Years, &rsquo;tis both Prudence, and good Breeding, to let one&rsquo;s self be
      overtaken by it. And who can help all This? I profess, it was not my
      seeking, Neighbour.</p>

      <p class="prose"><i>Cam.</i> I profess, a Fox might earth in
      the Hollowness of your Heart, Neighbour, and there&rsquo;s an End. If I were
      to give a bad Conscience its true Likeness, it should be drawn after a
      very near Neighbour to a certain poor Neighbour of yours. &mdash;
      Neighbour! with a Pox.</p>

      <p class="prose"><i>D. Bern.</i> Nay, you are so nimble with
      me, you will hear Nothing.</p>

      <p class="prose"><i>Cam.</i> Sir, if I must speak Nothing, I
      will hear Nothing. As for what you have to say, if it comes from your
      Heart, &rsquo;tis a Lye before you speak it. &mdash; I&rsquo;ll to Leonora; and if
      I find her in the same Story, why, I shall believe your Wife was true
      to You, and your Daughter is your own. Fare you well.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Exit,&nbsp;as&nbsp;into&nbsp;</i>D.&nbsp;Bernard<i>&rsquo;s&nbsp;House.</i></p>

      <p class="prose"><i>D. Bern.</i> Ay, but two Words must go to
      that Bargain. It happens, that I am at present of Opinion my Daughter
      shall receive no more Company to day;<a href="#fn55s" id="fn55a" class="fna">54</a><sup>,</sup> <a href="#fn56s" id="fn56a" class="fna">55</a>
      at least, no such Visits as yours.</p>

      <p class="right-direction"><span class="r">[</span>Exit <span class="r">D. Bernard</span>, following him.<a href="#fn57s" id="fn57a" class="fna">56</a></p>
      
    </div>
    
    <div id="scene-ii-iv" class="scene">

      <h3 id="scene-ii-iv-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h3>

      <h3 class="scene"><span class="caps">Scene IV.</span> <i>Changes to another Prospect of</i> Don Bernard<i>&rsquo;s House.</i></h3>

      <p class="center-direction"><span class="r">Leonora</span>, above.</p>

      <p class="verse"><i>Leon.</i> How tediously I&rsquo;ve waited at the Window,<br/>
      Yet know not One that passes.&mdash; Should I trust<br/>
      My Letter to a Stranger, whom I think<br/>
      To bear an honest Face, (in which sometimes<br/>
      We fancy we are wond&rsquo;rous skillful;) then<br/>
      I might be much deceiv&rsquo;d. This late Example<br/>
      Of base <i>Henriquez</i>, bleeding in me now,<br/>
      From each good Aspect takes away my Trust:<br/>
      For his Face seem&rsquo;d to promise Truth and Honour.<br/>
      Since Nature&rsquo;s Gifts in noblest Forms deceive,<br/>
      Be happy You, that want &rsquo;em! &mdash; Here comes One;<br/>
      I&rsquo;ve seen him, tho&rsquo; I know him not; He has<br/>
      An honest Face too&mdash; that&rsquo;s no Matter.&mdash; Sir, &mdash;</p>

      <p class="center-direction">Enters <span class="r">Citizen</span>.</p>

      <p class="prose"><i>Citiz.</i> To me?</p>

      <p class="prose"><i>Leon.</i> As You were of a virtuous Matron born,<br/>
      (There is no Doubt, you are:) I do conjure you<br/>
      Grant me one Boon. Say, do you know me, Sir?</p>

      <p class="verse"><i>Citiz.</i> Ay, <i>Leonora</i>, and your worthy Father.</p>

      <p class="verse"><i>Leon.</i> I have not Time to press the Suit I&rsquo;ve to you<br/>
      With many Words; nay, I should want the Words,<br/>
      Tho&rsquo; I had Leisure: but for Love of Justice,<br/>
      And as you pity Misery&mdash; But I wander<br/>
      Wide from my Subject. Know you <i>Julio</i>, Sir?</p>

      <p class="verse"><i>Citiz.</i>Yes, very well; and love him too, as well.</p>

      <p class="verse"><i>Leon.</i> Oh, there an Angel spake! Then I conjure you,<br/>
      Convey this Paper to him: and believe me,<br/>
      You do Heav&rsquo;n Service in&rsquo;t, and shall have Cause<br/>
      Not to repent your Pains. &mdash; I know not what<br/>
      Your Fortune is; &mdash; Pardon me, gentle Sir,<br/>
      That I am bold to offer This.<a href="#fn58s" id="fn58a" class="fna">58</a></p>

      <p class="right-direction"><span class="r">[</span>Throws down a Purse
      with Money.<a href="#fn59s" id="fn59a" class="fna">59</a></p>

      <p class="prose"><i>D. Bern. within.</i>] <i>Leonora</i>. &mdash;</p>

      <p class="verse"><i>Leon.</i> I trust to you; Heav&rsquo;n put it in your Heart<br/>
      To work me some Relief.</p>

      <p class="verse"><i>Citiz.</i> Doubt it not, Lady. You have mov&rsquo;d me so,<br/>
      That tho&rsquo; a thousand Dangers barr&rsquo;d my way,<br/>
      I&rsquo;d dare &rsquo;em all to serve you.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Exit&nbsp;</i>Citizen<i>.</i></p>

      <p class="verse"><i>Leon.</i> Thanks from a richer Hand than mine requite you!</p>

      <p class="prose"><i>D. Bern. within.</i>] Why, Daughter &mdash;</p>

      <p class="verse"><i>Leon.</i> I come: &mdash; Oh, Julio, feel but half my Grief,<a href="#fn60s" id="fn60a" class="fna">60</a><br/>
      &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;And Thou wilt outfly Time to bring Relief.</p>

      <p class="right-direction"><span class="r">[</span>Exit <span class="r">Leonora</span> from the Window.</p>

      <p class="center-direction">End of the Second Act.</p>

      <div class="figDesc">Floral tailpiece with eagles</div>
      
    </div>
    
  </div>
  
  <hr class="pagebreak"/>

  <div id="act-iii" class="act">

    <h2 id="act-iii-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h2>

    <div class="figDesc">Floral bar with vase</div>

    <h2 class="act"><span class="caps">Act III.</span> <span class="caps">Scene</span> I.</h2>
    
    <div id="scene-iii-i" class="scene">

      <h3 id="scene-iii-i-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h3>

      <h3 class="scene"><span class="caps">Scene,</span> <i>The Prospect of a Village.</i></h3>

      <p class="center-direction">Enter <span class="r">Julio</span> with a Letter, and Citizen.</p>

      <p class="verse-unindented"><span class="innerDrop"><i>Citiz.</i> <span class="innerDropCap2">W</span></span><span class="caps">hen</span> from the Window she did bow and call,<br/>
      Her Passions shook her Voice; and from her Eyes<br/>
      Mistemper and Distraction, with strange Wildness<br/>
      Bespoke Concern above a common Sorrow.</p>

      <p class="verse"><i>Jul.</i> Poor <i>Leonora</i>! Treacherous, damn&rsquo;d <i>Henriquez!<br/>
      </i>She bids me fill my Memory with her Danger;<br/>
      I do, my <i>Leonora</i>; yes, I fill<br/>
      The Region of my Thought with nothing else;<br/>
      Lower, she tells me here, that this Affair<br/>
      Shall yield a Testimony of her Love:<br/>
      And prays, her Letter may come safe and sudden.<br/>
      This Pray&rsquo;r the Heav&rsquo;ns have heard, and I beseech &rsquo;em,<br/>
      To hear all Pray&rsquo;rs she makes.</p>

      <p class="verse"><i>Citiz.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Have
Patience, Sir.</p>

      <p class="verse"><i>Jul. </i>O my good Friend, methinks, I am too patient.<br/>
      Is there a Treachery, like This in Baseness,<br/>
      Recorded any where? It is the deepest:<br/>
      None but Itself can be its Parallel:<br/>
      And from a Friend, profess&rsquo;d! &mdash; Friendship? Why, &rsquo;tis<br/>
      A Word for ever maim&rsquo;d; in human Nature<br/>
      It was a Thing the noblest; and &rsquo;mong Beasts,<br/>
      It stood not in mean Place: Things of fierce Nature<br/>
      Hold Amity and Concordance. &mdash; Such a Villany<br/>
      A Writer could not put down in his Scene,<br/>
      Without Taxation of his Auditory<br/>
      For Fiction most enormous.</p>

      <p class="verse"><i>Citiz.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;These
Upbraidings<br/>
      Cool Time, while they are vented.</p>

      <p class="verse"><i>Jul.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I
am counsel&rsquo;d.<br/>
      For you, evermore, Thanks. You&rsquo;ve done much for Us;<br/>
      So gently press&rsquo;d to &rsquo;t, that I may perswade me<br/>
      You&rsquo;ll do a little more.</p>

      <p class="verse"><i>Citiz.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Put
me t&rsquo;Employment<br/>
      That&rsquo;s honest, tho&rsquo; not safe, with my best Spirits<br/>
      I&rsquo;ll give&rsquo;t Accomplishment.</p>

      <p class="verse"><i>Jul.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;No
more but This;<a href="#fn61s" id="fn61a" class="fna">62</a><br/>
      For I must see <i>Leonora</i>: And to appear<br/>
      Like <i>Julio</i>, as I am, might haply spoil<br/>
      Some good Event ensuing. Let me crave<br/>
      Th&rsquo; Exchange of Habit with you: some Disguise,<br/>
      May bear Me to my Love, unmark&rsquo;d, and secret.</p>

      <p class="verse"><i>Citiz.</i> You shall not want. Yonder&rsquo;s the House before us:<br/>
      Make Haste to reach it.</p>

      <p class="verse"><i>Jul.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Still
I thank you, Sir.<br/>
      O <i>Leonora!</i> stand but this rude Shock;<br/>
      Hold out thy Faith against the dread Assault<br/>
      Of this base Lord, the Service of my Life<br/>
      Shall be devoted to repay thy Constancy.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Exeunt.</i></p>

    </div>
    
    <div id="scene-iii-ii" class="scene">

      <h3 id="scene-iii-ii-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h3>

      <h3 class="scene"><span class="caps">Scene II.</span> Don Bernard<i>&rsquo;s House.</i></h3>

      <p class="center-direction">Enters <span class="r">Leonora</span>.</p>

      <p class="verse"><i>Leon.</i> I&rsquo;ve hoped to th&rsquo; latest Minute Hope can give:<br/>
      <a href="#fn62s" id="fn62a" class="fna">63</a>He will not come: H&rsquo;as not receiv&rsquo;d my Letter:<br/>
      &rsquo;May<a href="#fn63s" id="fn63a" class="fna">64</a> be, some other View has from our Home<br/>
      Repeal&rsquo;d his chang&rsquo;d Eye: for what Business can<br/>
      Excuse a Tardiness thus willfull? &nbsp;None.<br/>
      Well then, it is not Business. &mdash; Oh! that Letter, &mdash;<br/>
      I say, is not deliver&rsquo;d; or He&rsquo;s sick;<br/>
      Or, O Suggestion, wherefore wilt Thou fright me?<br/>
      <i>Julio</i> does to <i>Henriquez</i> on meer Purpose,<br/>
      On plotted Purpose, yield me up; and He<br/>
      Hath chose another Mistress. All Presumptions<br/>
      Make pow&rsquo;rful to this Point: His own Protraction,<br/>
      <i>Henriquez</i> left behind; &mdash; That Strain lack&rsquo;d Jealousie,<br/>
      Therefore lack&rsquo;d Love. &mdash; So sure as Life shall empty<br/>
      It self in Death, this new Surmise of mine<br/>
      Is a bold Certainty. &rsquo;Tis plain, and obvious,<br/>
      <i>Henriquez</i> would not, durst not, thus infringe<br/>
      The Law of Friendship; thus provoke a Man,<br/>
      That bears a Sword, and wears his Flag of Youth<br/>
      As fresh as He: He durst not: &rsquo;Tis Contrivance,<br/>
      Gross-dawbing<a href="#fn64s" id="fn64a" class="fna">65</a> &rsquo;twixt them Both. &mdash; But I&rsquo;m o&rsquo;erheard.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Going.</i></p>

      <p class="center-direction">Enters <span class="r">Julio</span>, disguised.</p>

      <p class="verse"><i>Jul.</i> Stay, <i>Leonora</i>; Has this outward Veil<br/>
      Quite lost me to thy Knowledge?</p>

      <p class="verse"><i>Leon.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;O
my <i>Julio!<br/>
      </i>Thy Presence ends the stern Debate of Doubt,<br/>
      And cures me of a thousand heartsick Fears,<br/>
      Sprung from thy Absence: yet awakes a Train<br/>
      Of other sleeping Terrors. Do you weep?</p>

      <p class="verse"><i>Jul.</i> No, <i>Leonora</i>; when I weep, it must be<br/>
      The Substance of mine Eye. &rsquo;Would<a href="#fn65s" id="fn65a" class="fna">66</a> I could weep;<br/>
      For then mine Eye would drop upon my Heart,<br/>
      And swage the Fire there.</p>

      <p class="verse"><i>Leon.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;You
are full possess&rsquo;d<br/>
      How things go here. First, welcome heartily;<br/>
      Welcome to th&rsquo;Ending of my last good Hour:<br/>
      Now Summer Bliss and gawdy Days are gone,<br/>
      My Lease in &rsquo;em &rsquo;s expir&rsquo;d.</p>

      <p class="verse"><i>Jul.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Not
so, <i>Leonora</i>.</p>

      <p class="verse"><i>Leon.</i> Yes, <i>Julio</i>, yes; an everlasting Storm<br/>
      Is come upon me, which I can&rsquo;t bear out.<br/>
      I cannot stay much Talk; we have lost Leisure;<br/>
      And thus it is: Your Absence hath giv&rsquo;n Breeding<br/>
      To what my Letter hath declar&rsquo;d, and is<br/>
      This Instant on th&rsquo;effecting, Hark! the Musick</p>

      <p class="right-direction"><span class="r">[</span>Flourish within.</p>

      <p class="verse-unindented">Is now on tuning, which must celebrate<br/>
      This Bus&rsquo;ness so discordant. &mdash; Tell me then,<br/>
      What you will do.</p>

      <p class="verse"><i>Jul.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I
know not what: Advise me:<br/>
      I&rsquo;ll kill the Traytor.</p>

      <p class="verse"><i>Leon.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;O! take Heed: his Death<br/>
      Betters our Cause no whit. No killing, <i>Julio</i>.</p>

      <p class="verse"><i>Jul.</i> My Blood stands still; and all my Faculties<br/>
      Are by Enchantment dull&rsquo;d. You gracious Pow&rsquo;rs,<br/>
      The Guardians of sworn Faith, and suff&rsquo;ring Virtue,<br/>
      Inspire Prevention of this dreaded Mischief!<br/>
      This Moment is our own; Let&rsquo;s use it, Love,<br/>
      And fly o&rsquo;th&rsquo; Instant from this House of Woe.</p>

      <p class="verse"><i>Leon.</i> Alas! Impossible: My steps are watch&rsquo;d;<br/>
      There&rsquo;s no Escape for Me. You must stay too.</p>

      <p class="verse"><i>Jul.</i> What! stay, and see thee ravish&rsquo;d from my Arms?<br/>
      I&rsquo;ll force thy Passage. Wear I not a Sword?<br/>
      Ne&rsquo;er on Man&rsquo;s Thigh rode better. &mdash; If I suffer<br/>
      The Traytor play his Part; if I not do<br/>
      Manhood and Justice, Honour; let me be deem&rsquo;d<br/>
      A tame, pale, Coward, whom the Night-Owl&rsquo;s Hoot<br/>
      May turn to Aspen-leaf: Some Man take This,<br/>
      Give Me a Distaff for it.</p>

      <p class="verse"><i>Leon.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Patience,
<i>Julio</i>;<br/>
      And trust to Me: I have fore-thought the Means<br/>
      To disappoint these Nuptials. &mdash; Hark! again;</p>

      <p class="right-direction"><span class="r">[</span>Musick within.</p>

      <p class="verse-unindented">These are the Bells knoll for Us.&mdash; See, the Lights<br/>
      Move this Way, <i>Julio</i>. Quick, behind yon Arras,<br/>
      And take thy secret Stand. &mdash; Dispute it not;<br/>
      I have my Reasons, you anon shall know them: &mdash;<br/>
      There you may mark the Passages of the Night.<br/>
      Yet, more: &mdash; I charge you by the dearest Tyes,<br/>
      What-e&rsquo;er you see, or hear, what-e&rsquo;er shall hap,<br/>
      In your Concealment rest a silent Statue.<br/>
Nay, hide thee strait, &mdash; or, &mdash; see, I&rsquo;m arm&rsquo;d
and vow&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Shews&nbsp;a&nbsp;Dagger.<br/>
      </i>To fall a bleeding Sacrifice before Thee.</p>

      <p class="right-direction"><span class="r">[</span>Thrusts him out, to the Arras.</p>

      <p class="verse-unindented">I dare not tell thee of my Purpose, <i>Julio</i>,<br/>
      Lest it should wrap thee in such Agonies,<br/>
      Which my Love could not look on. &mdash;</p>

      <p class="center-direction"><span class="r"><span class="caps">Scene</span></span> opens to a
      large Hall: An Altar prepared with Tapers. Enter at one Door Servants
      with Lights, <span class="r">Henriquez</span>, <span class="r">Don
      Bernard</span>, and Churchman. At another, Attendants to
      <span class="r">Leonora</span>. <span class="r">Henriquez</span> runs
      to her.</p>

      <p class="verse"><i>Henr.</i> Why, <i>Leonora</i>, wilt Thou with this Gloom<br/>
      Darken my Triumph; suff&rsquo;ring Discontent,<br/>
      And wan Displeasure, to subdue that Cheek<br/>
      Where Love should sit inthron&rsquo;d? Behold your Slave;<br/>
      Nay, frown not; for each Hour of growing Time<br/>
      Shall task me to thy Service, &rsquo;till by Merit<br/>
      Of dearest Love I blot the low-born <i>Julio<br/>
      </i>From thy fair Mind.</p>

      <p class="verse"><i>Leon.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;So
I shall make it foul;<br/>
      This Counsel is corrupt.</p>

      <p class="verse"><i>Henr.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Come,
you will change.&mdash;</p>

      <p class="verse"><i>Leon.</i> Why would you make a Wife of such a One,<br/>
      That is so apt to change? This foul Proceeding<br/>
      Still speaks against itself, and vilifies<br/>
      The purest of your Judgment. &mdash; For your Birth&rsquo;s Sake<br/>
      I will not dart my hoarded Curses at you,<br/>
      Nor give my Meanings Language: For the Love<br/>
      Of all good Things together, yet take heed,<br/>
      And spurn the Tempter back.</p>

      <p class="verse"><i>D. Bern.</i> I think, you&rsquo;re mad. &mdash; Perverse, and foolish,<a href="#fn66s" id="fn66a" class="fna">68</a> Wretch!</p>

      <p class="verse"><i>Leon.</i> How may I be obedient, and wise too?<br/>
      Of my Obedience, Sir, I cannot strip me;<br/>
      Nor can I then be wise: Grace against Grace!<br/>
      Ungracious, if I not obey a Father;<br/>
      Most perjur&rsquo;d, if I do. &mdash; Yet, Lord, consider,<br/>
      Or e&rsquo;er too late, or e&rsquo;er that Knot be ty&rsquo;d,<br/>
      Which may with Violence damnable be broken,<br/>
      No other way dissever&rsquo;d: Yet consider,<br/>
      You wed my Body, not my Heart, my Lord;<br/>
      No Part of my Affection. Sounds it well,<br/>
      That <i>Julio</i>&rsquo;s Love is Lord <i>Henriquez</i>&rsquo; Wife;<br/>
      Have you an Ear for this harsh Sound?</p>

      <p class="verse"><i>Henr.</i> No Shot of Reason can come near the Place,<br/>
      Where my Love&rsquo;s fortified. The Day shall come,<br/>
      Wherein you&rsquo;ll chide this Backwardness, and bless<br/>
      Our Fervour in this Course.</p>

      <p class="verse"><i>Leon.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;No,
no, <i>Henriquez</i>,<br/>
      When you shall find what Prophet you are prov&rsquo;d,<br/>
      You&rsquo;ll prophesie no more.</p>

      <p class="verse"><i>D. Bern.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Have
done this Talking,<br/>
      If you will cleave to your Obedience, do&rsquo;t;<br/>
      If not, unbolt the Portal, and be gone;<br/>
      My Blessing stay behind you.</p>

      <p class="verse"><i>Leon.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Sir,
your Pardon:<br/>
      I will not swerve a Hair&rsquo;s Breadth from my Duty;<br/>
      It shall first cost me dear.</p>

      <p class="verse"><i>D. Bern.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Well
then, to th&rsquo; Point:<br/>
      Give me your Hand. &mdash; My honour&rsquo;d Lord, receive<br/>
      My Daughter of Me, &mdash; (nay, no dragging back,<br/>
      But with my Curses;) &mdash; whom I frankly give you,<br/>
      And wish you Joy and Honour.</p>

      <p class="center-direction"><span class="r">[</span>As <span class="r">
      Don Bernard</span> goes to give <span class="r">Leonora</span> to
      <span class="r">Henriquez</span>, <span class="r">Julio</span> advances
      from the Arras, and steps between.</p>

      <p class="verse"><i>Jul.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Hold,
<i>Don Bernard</i>,<br/>
      Mine is the elder Claim.</p>

      <p class="verse"><i>D. Bern.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;What
are you, Sir?</p>

      <p class="verse"><i>Jul.</i> A Wretch, that&rsquo;s almost lost to his own Knowledge,<br/>
      Struck thro&rsquo; with Injuries. &mdash;</p>

      <p class="verse"><i>Henr.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ha!
<i>Julio?</i> &mdash; Hear you,<br/>
      Were you not sent on our Commands to Court?<br/>
      Order&rsquo;d to wait your fair Dismission thence?<br/>
      And have you dared, knowing you are our Vassal,<br/>
      To steal away unpriviledg&rsquo;d, and leave<br/>
      My Business and your Duty unaccomplish&rsquo;d?</p>

      <p class="verse"><i>Jul.</i> Ungen&rsquo;rous Lord! The Circumstance of Things<br/>
      Should stop the Tongue of Question. &mdash; You have wrong&rsquo;d me;<br/>
      Wrong&rsquo;d me so basely, in so dear a Point,<br/>
      As stains the Cheek of Honour with a Blush;<br/>
      Cancells the Bonds of Service; bids Allegiance<br/>
      Throw to the Wind all high Respects of Birth,<br/>
      Title, and Eminence; and, in their Stead,<br/>
      Fills up the panting Heart with just Defiance.<br/>
      If you have Sense of Shame, or Justice, Lord,<br/>
      Forego this bad Intent; or with your Sword<br/>
      Answer me like a Man, and I shall thank you.<br/>
      <i>Julio</i> once dead, <i>Leonora</i> may be thine;<br/>
      But, living, She&rsquo;s a Prize too rich to part with.</p>

      <p class="verse"><i>Henr.</i> Vain Man! the present Hour is fraught with Business<br/>
      Of richer Moment. Love shall first be serv&rsquo;d:<br/>
      Then, if your Courage hold to claim it of me,<br/>
      I may have Leisure to chastise this Boldness.</p>

      <p class="verse"><i>Jul.</i> Nay, then I&rsquo;ll seize my Right.</p>

      <p class="verse"><i>Henr.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;What,
here, a Brawl?<br/>
      My Servants, &mdash; Turn this boist&rsquo;rous Sworder forth;<br/>
      And see he come not to disturb our Joys.</p>

      <p class="verse"><i>Jul.</i> Hold, Dogs! &mdash; <i>Leonora</i>, &mdash; Coward, base, <i>Henriquez!</i></p>

      <p class="center-direction"><span class="r">[Julio</span> is seiz&rsquo;d, and drag&rsquo;d out by the Servants.</p>

      <p class="verse"><i>Henr.</i> She dies upon Me; help!</p>

      <p class="center-direction"><span class="r">[Leonora</span> swoons; as they endeavour to recover her, a Paper drops from her.</p>

      <p class="verse"><i>D. Bern.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Throng
not about her;<br/>
      But give her Air.</p>

      <p class="verse"><i>Henr.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;What Paper&rsquo;s That? let&rsquo;s see it.<br/>
      It is her own Hand-Writing.</p>

      <p class="verse"><i>D. Bern.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Bow
her Head:<br/>
      &rsquo;Tis but her Fright; she will recover soon.<br/>
      What learn you by that Paper, good my Lord?</p>

      <p class="verse"><i>Henr.</i> That she would do the Violence to herself,<br/>
      Which Nature hath anticipated on her.<br/>
      What Dagger means she? Search her well, I pray you.</p>

      <p class="verse"><i>D. Bern.</i> Here is the Dagger. &mdash; Oh, the stubborn Sex,<br/>
      Rash ev&rsquo;n to Madness! &mdash;</p>

      <p class="verse"><i>Henr.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Bear
her to her Chamber:<br/>
      Life flows in her again. &mdash; Pray, bear her hence:<br/>
      And tend her, as you would the World&rsquo;s best Treasure.</p>

      <p class="right-direction"><span class="r">[</span>Women carry <span class="r">Leonora</span> off.</p>

      <p class="verse-unindented"><i>Don Bernard</i>, this wild Tumult soon will cease,<br/>
      The Cause remov&rsquo;d; and all return to Calmness.<br/>
      Passions in Women are as short in Working,<br/>
      As strong in their Effect. Let the Priest wait:<br/>
      Come, go we in: My Soul is all on Fire;<br/>
      And burns impatient of this forc&rsquo;d Delay.</p>

      <p class="right-direction"><span class="r">[</span>Exeunt; and the Scene closes.</p>
      
    </div>
    
    <div id="scene-iii-iii" class="scene">

      <h3 id="scene-iii-iii-head"><span class="back"><a href="#contents-head">Back to Contents</a></span></h3>

      <h3 class="scene"><span class="caps">Scene III.</span> <i>Prospect of a Village at a Distance.</i></h3>

      <p class="center-direction">Enters <span class="r">Roderick</span>.</p>

      <p class="verse"><i>Rod. Julio</i>&rsquo;s Departure thus in secret from Me,<br/>
      With the long doubtful Absence of my Brother,<br/>
      (Who cannot suffer, but my Father feels it;)<br/>
      Have trusted me with strong Suspicions,<br/>
      And Dreams, that will not let me sleep, nor eat,<br/>
      Nor taste those Recreations Health demands:<br/>
      But, like a Whirlwind, hither have they snatch&rsquo;d me,<br/>
      Perforce, to be resolv&rsquo;d. I know my Brother<br/>
      Had <i>Julio</i>&rsquo;s Father for his Host: from him<br/>
      Enquiry may befriend me.</p>

      <p class="center-direction">Enters <span class="r">Camillo</span>.</p>

      <p class="verse">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Old
Sir, I&rsquo;m glad<a href="#fn67s" id="fn67a" class="fna">69</a><br/>
      To &rsquo;ve met you thus: What ails the Man? <i>Camillo</i>, &mdash;</p>

      <p class="prose"><i>Cam.</i> Ha?</p>

      <p class="verse"><i>Rod.</i> Is&rsquo;t possible, you should forget your Friends?</p>

      <p class="verse"><i>Cam.</i> Friends! What are Those?</p>

      <p class="verse"><i>Rod.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Why,
Those that love you, Sir.</p>

      <p class="verse"><i>Cam.</i> You&rsquo;re None of Those, sure, if you be Lord <i>Roderick</i>.</p>

      <p class="verse"><i>Rod.</i> Yes, I am that Lord <i>Roderick</i>, and I lie not,<br/>
      If I protest, I love you passing well.</p>

      <p class="verse"><i>Cam.</i> You lov&rsquo;d my Son too passing well, I take it:<br/>
      One, that believ&rsquo;d too suddenly his Court-Creed.</p>

      <p class="verse"><i>Rod.</i> All is not well. [<i>aside.</i>] &mdash; Good old Man, do not rail.</p>

      <p class="verse"><i>Cam.</i> My Lord, my Lord, you&rsquo;ve dealt dishonourably.</p>

      <p class="verse"><i>Rod.</i> Good Sir, I am so far from doing Wrongs<br/>
      Of that base Strain, I understand you not.</p>

      <p class="verse"><i>Cam.</i> Indeed! &mdash; You know not neither, o&rsquo; my Conscience,<br/>
      How your most virtuous Brother, noble <i>Henriquez</i>,<br/>
      (You look so like him, Lord, you are the worse for&rsquo;t;<br/>
      Rots upon such Dissemblers!) under colour<br/>
      Of buying Coursers, and I know not what,<br/>
      Bought my poor Boy out of Possession<br/>
      Ev&rsquo;n of his plighted Faith. &mdash; Was not this Honour?<br/>
      And This a constant Friend?</p>

      <p class="verse"><i>Rod.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I
dare not say so.</p>

      <p class="verse"><i>Cam.</i> Now you have robb&rsquo;d him of his Love, take all;<br/>
      Make up your Malice, and dispatch his Life too.</p>

      <p class="verse"><i>Rod.</i> If you would hear me, Sir, &mdash;</p>

      <p class="verse"><i>Cam.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Your
brave old Father<br/>
      Would have been torn in Pieces with wild Horses,<br/>
      E&rsquo;er he had done this Treachery. On my Conscience,<br/>
      Had he but dreamt you Two durst have committed<br/>
      This base, unmanly Crime, &mdash;</p>

      <p class="verse"><i>Rod.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Why,
this is Madness. &mdash;<a href="#fn68s" id="fn68a" class="fna">70</a></p>

      <p class="verse"><i>Cam.</i> I&rsquo;ve done; I&rsquo;ve eas&rsquo;d my Heart; now you may talk.</p>

      <p class="verse"><i>Rod.</i> Then as I am a Gentleman, believe me,<br/>
      (For I will lie for no Man;) I&rsquo;m so far<br/>
      From being guilty of the least Suspicion<br/>
      Of Sin that way, that fearing the long Absence<br/>
      Of <i>Julio</i> and my Brother might beget<br/>
      Something to start at, hither have I travell&rsquo;d<br/>
      To know the Truth of you.</p>

      <p class="center-direction">Enters <span class="r">Violante</span> behind.</p>

      <p class="verse"><i>Viol.</i> My Servant loiters; sure, he means me well.<br/>
      <i>Camillo</i>, and a Stranger? These may give me<br/>
      Some Comfort from their Talk. I&rsquo;ll step aside:<br/>
      And hear what Fame is stirring.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[Violante&nbsp;<i>retires.</i></p>

      <p class="verse"><i>Rod.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Why
this Wond&rsquo;ring?</p>

      <p class="verse"><i>Cam.</i> Can there be one so near in Blood as you are<br/>
      To that <i>Henriquez</i>, and an honest Man?</p>

      <p class="verse"><i>Rod.</i> While he was good, I do confess my Nearness;<br/>
      But, since his Fall from Honour, he&rsquo;s to me<br/>
      As a strange Face I saw but Yesterday,<br/>
      And as soon lost.</p>

      <p class="verse"><i>Cam.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;I ask your Pardon, Lord;<br/>
      I was too rash and bold.</p>

      <p class="verse"><i>Rod.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;No
Harm done, Sir.</p>

      <p class="verse"><i>Cam.</i> But is it possible, you should not hear<br/>
      The Passage &rsquo;twixt <i>Leonora</i> and your Brother?</p>

      <p class="verse"><i>Rod.</i> None of All This.</p>

      <p class="center-direction">Enters <span class="r">Citizen</span>.</p>

      <p class="verse-unindented">How now?</p>

      <p class="verse"><i>Citiz.</i> I bear you Tidings, Sir, which I could wish<br/>
      Some other Tongue deliver&rsquo;d.</p>

      <p class="verse"><i>Cam.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Whence,
I pray you?</p>

      <p class="verse"><i>Citiz.</i> From your Son, Sir.</p>

      <p class="verse"><i>Cam.</i> Pr&rsquo;ythee, where is he?</p>

      <p class="verse"><i>Citiz.</i> That&rsquo;s more than I know now, Sir.<br/>
      But This I can assure you, he has left<br/>
      The City raging mad; Heav&rsquo;n comfort him!<br/>
      He came to that curst Marriage &mdash; The Fiends take it! &mdash;</p>

      <p class="verse"><i>Cam.</i> Pr&rsquo;ythee, be gone, and bid the Bell knoll for me:<br/>
      I have had one Foot in the Grave some Time.<br/>
      Nay, go, good Friend; thy News deserve no Thanks.<br/>
      How does your Lordship?&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Exit Citizen.</i></p>

      <p class="verse"><i>Rod.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;That&rsquo;s
well said, Old Man.<br/>
      I hope, all shall be well yet.</p>

      <p class="verse"><i>Cam.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;It
had need;<br/>
      For &rsquo;tis a crooked World. Farewell, poor Boy! &mdash;</p>

      <p class="center-direction">Enters <span class="r">Don Bernard</span>.</p>

      <p class="verse"><i>D. Bern.</i> This comes of forcing Women where they hate:<br/>
      It was my own Sin; and I am rewarded.<br/>
      Now I am like an aged Oak, alone,<br/>
      Left for all Tempests. &mdash; I would cry, but cannot:<br/>
      I&rsquo;m dry&rsquo;d to Death almost with these Vexations.<br/>
      Lord! what a heavy Load I have within me!<br/>
      My Heart, &mdash; my Heart, &mdash; my Heart &mdash;</p>

      <p class="verse"><i>Cam.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Has
this ill Weather<br/>
      Met with Thee too?</p>

      <p class="verse"><i>D. Bern.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O Wench, that I were with thee!</p>

      <p class="verse"><i>Cam.</i> You do not come to mock at me now?</p>

      <p class="verse"><i>D. Bern.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Ha?
&mdash;<a href="#fn69s" id="fn69a" class="fna">71</a></p>

      <p class="verse"><i>Cam.</i> Do not dissemble; Thou may&rsquo;st find a Knave<br/>
      As bad as thou art, to undo thee too:<br/>
      I hope to see that Day before I dye yet.</p>

      <p class="verse"><i>D. Bern.</i> It needeth not, <i>Camillo</i>; I am Knave<br/>
      Sufficient to my self. If thou wilt rail,<br/>
      Do it as bitterly as thou canst think of;<br/>
      For I deserve it. Draw thy Sword, and strike me;<br/>
      And I will thank thee for&rsquo;t. &mdash; I&rsquo;ve lost my Daughter;<br/>
      She&rsquo;s stol&rsquo;n away; and whither gone, I know not.</p>

      <p class="verse"><i>Cam.</i> She has a fair Blessing in being from you, Sir.<br/>
      I was too poor a Brother for your Greatness;<br/>
      You must be grafted into noble Stocks,<br/>
      And have your Titles rais&rsquo;d. My State was laugh&rsquo;d at:<br/>
      And my Alliance scorn&rsquo;d. I&rsquo;ve lost a Son too;<br/>
      Which must not be put up so.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Offers&nbsp;to&nbsp;draw.</i></p>

      <p class="verse"><i>Rod.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Hold;
be counsel&rsquo;d.<br/>
      You&rsquo;ve equal Losses; urge no farther Anger.<br/>
      Heav&rsquo;n, pleas&rsquo;d now at your Love, may bring again,<br/>
      And, no Doubt, will, your Children to your Comforts:<br/>
      In which Adventure my Foot shall be foremost.<br/>
      And One more will I add, my Honour&rsquo;d Father;<br/>
      Who has a Son to grieve for too, tho&rsquo; tainted.<br/>
      Let your joint Sorrow be as Balm to heal<br/>
      These Wounds of adverse Fortune.</p>

      <p class="verse"><i>D. Bern.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Come,
<i>Camillo</i>,<a href="#fn70s" id="fn70a" class="fna">72</a><br/>
      Do not deny your Love, for Charity;<br/>
      I ask it of you. Let this noble Lord<br/>
      Make Brothers of Us, whom our own cross Fates<br/>
      Could never join. What I have been, forget;<br/>
      What I intend to be, believe and nourish:<br/>
      I do confess my Wrongs; give me your Hand.</p>

      <p class="verse"><i>Cam.</i> Heav&rsquo;n make thee honest; &mdash; there.</p>

      <p class="verse"><i>Rod.</i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&rsquo;Tis
done like good Men.<br/>
      Now there rests Nought, but that we part, and each<br/>
      Take sev&rsquo;ral Ways in Quest of our lost Friends:<br/>
      Some of my Train o&rsquo;er the wild Rocks shall wait you.<br/>
      Our best Search ended, here we&rsquo;ll meet again,<br/>
      And tell the Fortunes of our separate Travels.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[<i>Exeunt.</i></p>

      <p class="center-direction"><span class="r">Violante</span> comes forward.</p>

      <p class="verse"><i>Viol.</i> I would, your Brother had but half your Virtue!<br/>
      Yet there remains a little Spark of Hope<br/>
      That lights me to some Comfort. The Match is cross&rsquo;d;<br/>
      The Parties separate; and I again<br/>
      May come to see this Man that has betray&rsquo;d me;<br/>
      And wound his Conscience for it: Home again<br/>
      I will not go, whatever Fortune guides me;<br/>
      Tho&rsquo; ev&rsquo;ry Step I went, I trod upon<br/>
      Dangers as fearful and as pale as Death.<br/>
      No, no, <i>Henriquez</i>; I will follow thee<br/>
      Where there is Day. Time may beget a Wonder.</p>

      <p class="center-direction">Enters Servant.</p>

      <p class="verse-unindented">O, are you come? What News?</p>

      <p class="prose"><i>Serv.</i> None, but the worst.<a href="#fn71s" id="fn71a" class="fna">73</a>
      Your Father makes mighty Offers yonder by a Cryer, to any One can bring
      you home again.</p>

      <p class="prose"><i>Viol.</i> Art Thou corrupted?<a href="#fn72s" id="fn72a" class="fna">74</a></p>

      <p class="prose"><i>Serv.</i> No.</p>

      <p class="prose"><i>Viol.</i> Wilt thou be honest?</p>

      <p class="prose"><i>Serv.</i> I hope, yo