Film Music
Cognition
Bibliography
A
Study
Bibliography
12
March, 2008
Peter D. Kaye
(PhD. candidate, Kingston
University, UK)
Those who are interested in the
definitive bibliography of
film music should download Gillian
Anderson
and Ronald Sadoff’s. If you are interested in music cognition
bibliographies, try http://www.hfac.uh.edu/cogsci/biblio/index.cfm.
My bibliography is directed towards the cognition and perception of
film music underscore in mainstream film and
television,
and reflects my study interests at the moment (which does not usually
include
any music with text, such as songs, musicals etc.). The list includes
books,
chapters, dissertations, websites, papers and articles, from many of
the different
disciplines, that a complete study of the subject could require:
musicology,
psychomusicology, media psychology, neurology, film studies, popular
music
studies, aesthetics, and semiotics. I am less interested in music not
written
originally for specific motion pictures. The primary reason for my
study is to
derive knowledge that may help those involved, professionally, in music
for
motion picture, to have a greater, conscious understanding of what they
might
be doing (making the process more efficient and consistently accurate).
I
apologize for being English language biased, and often list books in
their
translation, that were originally in another language (and I sometimes
fail to
credit translators!). This list also serves as a catalogue of resources
in my
possession at this time. Perhaps you
might find
this chart of interest? I am always happy for any suggestions, and
hope to
hear from anyone interested in this subject. You can contact me: musbib
(at)
attglobal (dot) net
(Yea! Psychomusicology will be available online, again,
under the
care of Dr. Annabel Cohen. This means, somewhere in the near future,
the links
to those articles will be valid again. Thank you Dr. Cohen)
Abel, Richard and Rick Altman
eds. (2001).
The
Sounds of Early Cinema.
Bloomington: Indiana University
Adorno, Theodor and Hanns
Eisler (1947). Composing for the Films. New York: Oxford University
Adorno, Theodor W. (1991). Culture
Industry.
London:
Routledge Classics
Adorno, Theodor W. (2002). Essays
on Music. Berkeley: University of
California
Aiello, Rita and John A.
Sloboda (1994). Musical Perceptions, New York: Oxford
Altman, Rick, ed. (1999). Sound
Theory Sound Practice.
New York: Routledge
Altman, Rick (1999). Film/Genre. London: BFI
Anderson, Gillian B. (1988). Music
for Silent Films (1894-1929), A Guide. Washington: Library of
Congress
Avanzini, Giuliano, Carmine
Faienza, Diego
Minciacchi, Luisa Lopez, and Maria Majno eds. (2003). The
Neurosciences and Music. New York: The New York Academy
of Sciences
Avanzini, Giuliano, Luisa
Lopez, Stefan
Koelsch, and Maria Majno eds. (2005). Neurosciences
and Music II: From Perception to Performance. New York: The New
York
Academy of Sciences
Aziz, Ashraf (2003). Light
of the Universe: Essays on Hindustani Film Music. New
Delhi: Three Essays
Baumgartner, Thomas, Matthias
Willi and
Lutze Jäncke (2007). 'Modulation
of corticospinal activity by strong emotions evoked by pictures and
classical music:
a transcranial magnetic stimulation study', in Neuroreport 18 (3): pp. 261-265
Baumgartner, Thomas, Kai Lutz,
Conny F.
Schmidt and Lutze Jäncke (2006). 'The
emotional power of music: How music enhances the feeling of affective
pictures',
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Bazelon, Irwin (1975). Knowing
the Score: Notes on Film Music. New York: Arco
Benzon, William (2001). Beethoven's
Anvil: Music in Mind and Culture. New York: Basic
Beran, Jan (2004). Statistics
in Musicology.
New
York: Chapman & Hall
Berg, Charles Merrell (1976). An
Investigation of the Motives for and Realization of Music to Accompany
the
American Silent Film, 1896-1927. New York: Arno
Bernstein, Elmer (1974-78). Film Music Notebook, A Complete Collection
of the
Quarterly Journal. Sherman Oaks: Film Music
Society
Besson, Mireille and Daniele
Schön (2003).
'Comparison Between Language and Music', in Isabelle Peretz, and Robert
Zatorre, eds., The
Cognitive Neuroscience of Music. Oxford: Oxford University
Biancorosso, Georgio (2002). Where
Does
The Music Come From? Studies In The Aesthetics Of Film Music, a dissertation: Princeton
University
Bigand, Emmanuel, Suzanne
Filipic, and
Philippe Lalitte (2005). ‘The
Time
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Fentress (1994). ‘Semantic
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Interpretation of Visual Action (pdf), Psychomusicology 13 (1):
pp. 28-59
Boltz, Marilyn, Mathew
Schulkind, and
Suzanne Kantra (1991). ‘Effects
of Background Music on the Remembering of Filmed Events’, Memory
& Cognition
19 (6):
pp. 593-606
Boltz, Marilyn (2001). ‘Musical
Soundtracks as a Schematic Influence on the Cognitive Processing of
Filmed
Events’ , Music Perception 18 (4): pp. 427-454
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&
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Wisconsin
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Notes: Foregrounding Music in the Dramatic Experience, Luton: University of Luton
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