For definitions of genre
synecdoche and anaphones,
see Phil Tagg's Towards
a Sign
Typology in Music.
For definition of gestural interconversion, see Phil Tagg's Gestural interconversion and connotative precision
For accent alignment see Scott Lipscomb's ‘The perception of audio-visual composites: Accent structure alignment of simple stimuli' (pdf), Selected Reports in Ethnomusicology 12: pp. 37-67
For volume looming, see Eric Clarke's Ways of Listening : An Ecological Approach to the Perception of Musical Meaning. pp. 76 (derived from J. J. Gibson)
For vectorization see Michel Chion's Audio-Vision: Sound On Screen pp. 12-20
For definition of gestural interconversion, see Phil Tagg's Gestural interconversion and connotative precision
For accent alignment see Scott Lipscomb's ‘The perception of audio-visual composites: Accent structure alignment of simple stimuli' (pdf), Selected Reports in Ethnomusicology 12: pp. 37-67
For volume looming, see Eric Clarke's Ways of Listening : An Ecological Approach to the Perception of Musical Meaning. pp. 76 (derived from J. J. Gibson)
For vectorization see Michel Chion's Audio-Vision: Sound On Screen pp. 12-20