ABOUT THE ARTISTS
An
international performing and recording artists and one of the pioneers in the
performance of Sephardic music, ISABELLE
GANZ and her New York-based ensemble, ALHAMBRA,
have produced three CDs of Judeo-Spanish music. Her first recording, with
THE BROKEN CONSORT, was
recorded in 1980, one of the earliest recordings in the field. In 1997
she received a Fulbright Grant to research Sephardic music at the Jewish Music
Research Centre of Hebrew University and to teach Voice and Contemporary Music
at the Rubin Academy of Music and Dance in Jerusalem. She also received a Solo
Recitalist Grant from the National Endowment for the Arts for the 1992-93 season. She has appeared as vocal soloist with
symphony orchestras and chamber ensembles throughout the world, including the
Seattle Symphony, the Brooklyn Philharmonic, the Portland, Maine
Symphony and the Slovak Radio Orchestra. Ms. Ganz
has premiered numerous works, including Ryoanji by John Cage, composed for
her and percussionist Michael Pugliese and recorded
by them for MODE RECORDS.
She
has performed in Milan, Amsterdam,
Paris, Tel Aviv, Jerusalem,
and in England, Germany, Luxembourg,
Canada
and throughout the U.S.
She holds a Doctor of Musical Arts degree in Voice and Music Literature from
the Eastman School of Music, where she was a student of the late Jan DeGaetani. For 20 years she was a Cantorial
Soloist in synagogues, both Reform and Conservative, in Munich,
Amsterdam, Canada in the U.S. Currently she is a member of the Voice Faculty of
Lamar University in Beaumont, TX., is the Director of the Congregation Brith Shalom Choir and the Houston HaZamir
Chorale, a regular performer and workshop leader for Young Audiences of
Houston, and conducts workshops and master classes for voice students and
professional singers. She has recorded for Mode, Leonarda,
Master Musicians Collective, Spectrum, Opus One, Tecnosaga
(Songs of the Gershwins),
Prestige/International, Global Village Music and Aulos/Koch/Schwann.
Ms. Ganz is listed in the International Who's Who in Music.
Described
by The New Yorker as a “lively
and engaging tenor”, DANIEL PINCUS has
performed with the Portland Baroque Orchestra, the Marlboro Music Festival, the
Washington Chamber Symphony, the New Jersey Baroque Ensemble, the Long Island
Baroque Ensemble, the Berkshire Bach Society, the Westchester Chorale and the Monadnock Music Festival. Most recently he sang in
the opera recording The Trial of the
Century by Anthony Newman on Albany
Records. He can be heard on the soundtrack of the film Antisemitism
currently showing at the National Holocaust Museum
in Washington, D.C. He is a member of The Mantua Singers, conducted by Matthew
Lazar, which performs the Jewish liturgical music of the 17th century composer,
Salamone Rossi. Cantor Pincus
received his cantorial investiture from Hebrew Union
College in May, 2000,
where he received numerous academic and musical honors. He is currently
the cantor/chaplain at the Jewish Home and Hospital on W. 106th St. in New
York and serves as a hospice chaplain for the Visiting Nurse
Service of New York.
The
baritone for the Western Wind Ensemble since its inception in 1969, ELLIOT Z. LEVINE has appeared as a
soloist with such groups as Musica Sacra, The Rome
Opera, La Fenice, The Mannes
Camerata, Music at Ascension, The Ensemble for Early
Music and the Folger Consort. He received his
M.M. degree from the Manhattan School of Music and has studied conducting with
Robert Hickok and composition with Robert Starer at Brooklyn
College. He has been
awarded five Meet-the-Composer Grants and has been composer-in-residence at the
Church of St.
Thomas More in New
York. For many year he
has been a conductor and coach at Western Wind workshops at such institutions
as Dartmouth College,
Smith College,
the University of Massachusetts, and at ACDA choral conferences
throughout the U.S.
As a composer, Mr. Levine is published by Harold Flammer,
Inc., Willis Music Co. and by Shadow Press. He is a Cantorial
Soloist at Temple
Emanuel of Great Neck.
HAIG MANOUKIAN heard the earthy warmth of the oud as a child when his grandparents, Armenian immigrants
from Anatolia, played 78 rpm recordings of Turkish sanaat music in their Virginia home. He
credits his eastern approach on the instrument to his early years, spent
listening to the traditional music of Istanbul
and Anatolia. In his late teens he came
to New York
and began formal studies and a career as a performing artist. Considered
one of the world's finest oudists, he has worked with
the top musicians of Turkey,
Armenia, Egypt and Iran. He has performed at
Avery Fisher Hall, the Metropolitan Opera House, Town Hall and Carnegie Hall,
as well as at major cabarets in Istanbul, Europe
and the U.S.
A member of Taksim, a group which combines the
rhythms of the Middle East with American jazz, he regularly tours with it to Switzerland, Spain
and Greece.
Control of classical form is evident in Mr. Manoukian's
insightful and evocative improvisations.
A
performer on violin, kanun (trapezoidal zither) nay
(bamboo flute) and riq (tambourine), MICHAEL HESS has played violin and
viola professionally for over 25 years. He attended the Manhattan School
of Music and later studied viola in Paris.
A former member of the Virginia State Symphony, he has appeared as both a classical
and jazz soloist in Spain, France and Germany. He studied kanun with the world-renowned Egyptian musician Mohammed Al
Akkad, and has performed with many Middle Eastern,
Greek and Klezmer music ensembles. He has
appeared in Town Hall, Bohemian Hall, the Triplex Theatre, the
San Francisco De Young Museum and, with the ALHAMBRA ensemble in Canada, Turkey,
Lithuania and Colombia.
Mr. Hess has recorded with Annaboubulal, a Greek folk-fusion ensemble, and with
the Greek singer Sophia Billdes. He can be
heard playing kanun on recent film soundtracks
including Town Apart, In the Comfort of
Strangers, and Noah's Ark.
For
the past 15 years, percussionist PETER
BASIL BOGDANOS has been performing in Europe, Canada, Japan and throughout the U.S.
with groups whose music ranges from pop to jazz, Middle-Eastern, Rhythm and
Blues and Flamenco. He presents lecture/workshops on the development of
the percussion instrument, the Cajon,
and its role in Flamenco music with the guitarist Tito Rubio.
MAURICE CHEDID, a performer and instructor in Arabic singing
and oud, was born in Lebanon and studied at the Beirut
Conservatory for Music, where he earned degrees in Arabic music composition,
Arabic singing and oud performance. He has been
featured on many recordings and television programs, and has appeared in clubs throughout
the Middle East. Since 1988 Mr. Chedid has been living in the U.S.,
where he performs in concert with diverse ensembles in concert halls and
in clubs throughout the New York
metropolitan area.
JOE DENINZON is a multi-talented
violinist who critics have called "The Jimi
Hendrix of the Violin." The son of classical musicians from Russia, Joe
spent his early years studying classical violin with his father, but soon
developed a passion for rock, funk, and jazz. Growing up in Cleveland, Ohio,
Joe played with various bands and got his first chance to back a major artist
on the violin when he performed with the Michael Stanley band at age 16 to rave
reviews. Currently living in New York, Joe has recorded and performed with
Ritchie Blackmore, Sheryl Crow, Everclear,
Les Paul, Smokey Robinson, Johnny Mathis, The Mahavishnu
Project, Project Object (with Zappa singer Ike Willis and Napoleon Murphy
Brock), harmonica wiz Robert Bonfiglio, has been a
soloist with the New York Chamber Ensemble, has appeared on MTV and played at
the Rock N Roll Hall of Fame, and has performed for President Clinton. He has
also been featured in Jazziz and Downbeat Magazine.
Joe and his band STRATOSPHEERIUS have performed throughout the United States
and have developed a reputation for their explosive live performances. The
band's latest CD, "Live Wires", is their first live CD,
and combines the influences of the Mahavishnu
Orchestra, Jean Luc Ponty, Jimi
Hendrix, and Frank Zappa. The disc features Joe on electric violin and
vocals.